RE:VOIR is a video label for classic and contemporary experimental cinema. The collection currently comprises over seventy titles, including films from the Dadaist, Surrealist and Letterist movements, as well as films from the American avant-garde, film diaries, arthouse features, animated works and hand-painted films. RE:VOIR is devoted to giving a wider audience access to a relatively unknown yet rich and diverse body of cinema, and to disseminating the major works of experimental film at the highest possible quality. Each release receives rigorous attention and extensive preparation, and yields an object of enduring integrity and quality for collection, discovery, and reflection. Most films are accompanied by a booklet of explanatory texts, sometimes including unpublished writing by the filmmaker, which can take the form of an entire book to allow the audience to properly contextualize the film, as with the releases of Walden and Lost Lost Lost by Jonas Mekas, Recreation by Robert Breer, Tom Tom, the Piper’s Son by Ken Jacobs and Rameau’s Nephew by Michael Snow.
Sandy Ding is an experimental filmmaker who lives and works in Beijing, China. He graduated from CalArts Film School USA in 2007 and started teaching in China Central Academy of Fine Arts since 2008. He produced several psycho-active films with the idea of combining ritual process in projection and sound. His work is energy patterns, telling mysteries with abstractions or powerful symbolic elements. He is equally interested in live performance of theater projections, untypical gallery projections, installations and live noise music to extend the idea of experimental film.