The Moving Image Salon is a monthly gathering in London for artists working in the fields of moving image and experimental filmmaking. It is intended as a relaxed and open space for conversation and exchange about contemporary moving image practices, a networking event and critical forum.
Dates:
Friday, June 28, 2019 - 15:00 to Saturday, June 29, 2019 - 14:55
The ATLFF Experimental Short category is for films shorter than 40 minutes. Our Experimental programming highlights abstract works, music videos and avant-garde narrative and documentary shorts.
For the release of issue No. 2 of the magazine Les saisons, une part discrète du film, we are organizing a 16 mm screening of a series of films (2007-2011) by João Maria Gusmão and Pedro Paiva and of Event for a Stage (2014) by Tacita Dean - artists and filmmakers that we publish in this issue alongside Deborah Stratman, Lav Diaz, Mauricio Freyre and Margaret Tait.
Dates:
Wednesday, June 26, 2019 - 20:00 to Thursday, June 27, 2019 - 19:55
The BFI are delighted to announce the rediscovery of Bauhaus teacher and artist László Moholy-Nagy’s long ‘lost’ optical sound film, Tönendes ABC / ABC in Sound (1933), missing for over 80 years. The experimental film, from one of the most influential figures of the avant-garde, was found at the BFI National Archive and correctly identified by BFI Curators.
Crater-Lab presents a program of 16mm films created in the AGX laboratory (Boston Film Collective), curated by Ernesto Livon-Grosman and Susan DeLeo.A program that will tour Europe, programmed by other laboratories of the Filmlabs network, until arriving in Barcelona to be screened in a single session at the Zumzeig CineCooperativa.A special occasion where we will hav
Dates:
Sunday, June 16, 2019 - 19:00 to Monday, June 17, 2019 - 18:55
Filmforum hosts filmmaker, cultural theorist, and film and digital historian Wheeler Winston Dixon for his first-ever screening in Los Angeles! Based in Nebraska, and most known as a writer, Dixon has been producing eye-opening films and videos since the late 1960s. The program will include a pair of his earlier films, Serial Metphysics, “an examination of the American lifestyle recut entirely from existing television advertisements” (Joshua Siegel) and Stargrove, a dense collage work. We’ll be featuring a wide array of his digital work of the past four years, a remarkable array of digital manipulations of appropriated footage to produce works of social and aesthetic reflection, using technological means to critique the technological and consumerist obsessions of today.
