On the occasion of Bay Area Now 9, Cinematheque returns for two special screenings at Yerba Buena Center for the Arts in the month of October. Running October 6–31, CROSSROADS at 14 looks back on the first fourteen years of Cinematheque’s annual festival. San Francisco Cinematheque: Contemporary Views from the Bay Area, featuring work by ten Bay Area filmmakers created 2020–2023, screens October 21.
Light Cone presents the third edition of Scratch Collection, a journey through our catalogue of 6,500 films whose goal is to draw up a great world atlas of experimental cinema and reaffirm Light Cone as an evolving and thriving collection.
Book presentation and screening of the films Essais & Instants with Hannes Schüpbach. November 16th, Metropolis, Kinemathek HamburgExperimental films with book presentation: Hannes SchüpbachWith guests and conversation
Rouzbeh Rashidi's latest feature film, "Elpis" (2023), will have its German premiere at the 7th Berlin Revolution Film Festival in Berlin on Sunday, October 22, 2023, at 9 PM.
The screening will take place at the iconic Kino Moviemento in Kreuzberg, Berlin, showcasing a pristine 4K DCP format. Following the screening, a Q&A session will be conducted with Rouzbeh Rashidi, as well as the cast and crew.
For nearly 50 years, the Bay Area filmmaker and curator Craig Baldwin has been an inspiring figure in contemporary media arts. His acerbic, densely-packed found footage films have traveled the globe, encouraging scores of nascent collage-essayists, culture jammers, and mockumentarians to action. A welcoming presence and steadfast fixture of San Francisco’s Mission District, Baldwin has been holding it down at 992 Valencia Street for decades, in defiance of sweeping gentrification, presenting his Other Cinema microcinema screenings in its street-level storefront theater while maintaining his legendary film archive/hoarder cave/work studio in the building’s basement. Ever seeking to revise and hybridize existing modes and genres, and invent and name new ones, Baldwin’s filmmaking amalgamates cinephilic literacy and voraciousness, a sharp understanding of political and cultural history, and a sly critical polemics.
