This 3-volume set brings together for the first time the complete film works of Jack Chambers (1931-78), largely regarded as one of Canada’s most important visual artists. With a well-established career as a painter, he embarked on a short-lived but significant career as a filmmaker in the mid-1960s. Chambers’ artistic practice was described as “perceptual realism” and stood in counterpoint to the dominant abstract styles of his day. He completed five films in his lifetime.
- 125 USD
"Passion is a personal film-journey in which Reble accompanies his unborn child through a ritual, following the seasons until his birth. Reble's unfamiliar chemistry generates slowly pulsating structures and colors. Micro- and macroscopic imagery build a near-abstract, hypnotic landscape -- an intimate perception of creation..."
Jurgen Reble, former member of the German filmmaking group "Schmelzdahin" (dissolved in 1989), focuses on exploring the film material through bacterial processes, weathering and chemical treatment during and after development.
The basic idea is that it is impossible to fix film. Film is something, which is always in a state of flux...The images, ‘real’ in the beginning, gradually disintegrate and the gelatine layer, where the chemicals are embedded, dissolves. All that’s left in the end is the ‘raging of the elements’. -Jürgen Reble
Academy Award-winning filmmaker Chuck Workman's documentary What Is Cinema? tackles the question of its title through over 100 clips and new interviews with Mike Leigh, Jonas Mekas, Yvonne Rainer, David Lynch, video artist Bill Viola, Robert Altman, Kelly Reichardt, Costa-Gavras, Ken Jacobs, Michael Moore, critic J. Hoberman, and others, and with archival interviews from Robert Bresson, Alfred Hitchcock, Chantal Akerman, Akira Kurosawa, Abbas Kiarostami, and more. The film also includes commissioned sequences from experimental artists Lewis Klahr and Phil Solomon. What Is Cinema?
RE:VOIR is proud to announce the release of the new DVD "FREE RADICALS - A HISTORY OF EXPERIMENTAL FILM" by Pip Chodorov. The DVD features 8 bonus short films by key filmmakers who appear in the documentary and it is subtitled in 8 languages (FRANÇAIS, ESPAÑOL, SRPSKI, ČESKÉ, LIETUVIŲ, 中文, 日本語, 한국어). It also includes a 56-page booklet with texts by Jonas Mekas, Scott Hammen, Raphaël Bassan and Nathaniel Draper.
"Free Radicals" has been screened in 50 international festivals and distributed theatrically in France, USA and Canada.
A DVD+book boxset containing four restored films by Gunvor Nelson and a 124-page book of interviews and critical articles by Julie Savelli.
The Swedish-American artist Gunvor Nelson figures among the most important experimental filmmakers of her generation. Her work considerably influenced the New American Cinema at the end of the 1960s, as much by its themes (women, the body, memory, dreams) as by its formal investigations (animation, collage, found footage).
A booklet + DVD edition documenting the Japanese screening project + (Plus). With works by Takashi Makino and Takashi Ishida, Shinkan Tamaki, Rei Hayama & Ben Russell
Christoph Janetzko is one of the most important German filmmakers of the post-iconic era. This collection is the first-ever reproduction of his films on DVD.
35 years of filmmaking. Of struggling, of not succumbing. Of resisting, of fighting, of succeeding. In short: a working life of highest artistic integrity. A working life of films not about art but films as art “Experimental films are narrative as well. They tell stories about time and space.” (Janetzko).
Call to Mind contains the films My Name Is Oona (1969), Time Being (1991) and Red Shift (1984), a trilogy with the family as a theme. True To Life (2006) functions as a separate comment for the other films. The Blu-ray box includes a catalog with texts by Astrid Soderbergh Widding, Susanne Forest, Steve Anker and John Sundholm, in Swedish and English, as well as a large number of still images.
Produced to coincide with New Contemporaries' 65th anniversary, this compilation selected by world-renowned artists Ed Atkins, Harold Offeh and Catherine Yass, reveals the rich history of artists' moving image in New Contemporaries between 1968 and 2010. accompanying the compilation is a publication with contributions from Anna Kontopoulou and Mike Sperlinger, as well as Nick Danziger, Heather Phillipson, Aura Satz and Greta Alfaro, providing a fascinating insight in to the radical beginnings of artists' moving image and its contemporary importance within the UK today.