Events

  • Braquage: Sarah Pucill

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    Phantom rhapsody(Sarah Pucill, 2010)Born in 1961, British artist Sarah Pucill has developed over the last twenty years a very private world through photography. The majority of his films take place in the containment of domestic space, where the reality of the house becomes the scene of a complex psychological realm.

    Dates: 

    Tuesday, March 8, 2011 - 17:00 to Wednesday, March 9, 2011 - 16:55
  • Tape Projects presents: Artist Film Workshop open screening

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    Tape Projects presents - Artist Film Workshop open screeningTape Projects presents ... the next Artist Film Workshop open screening.

    The first AFW open screening for 2011 is on March 24 -

    TAPE Space
    1/81 Bouverie Street
    Carlton (on the city edge)
    Melbourne Australia

    It's an open screening so BRING YOUR FILMS!

    And we'll also be looking at:

    - Films by dada-ist visual poet and super 8 filmmaker Pete Spence and partner Norma Pearce.
    - Films by the artists who participated in December's AFW optical sound workshop.

    Start time is 19:30h

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  • MassArt Film Society: Lori Felker & Robert Todd

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    Golden Hour (Robert Todd, 2009)Co-respondents Recent work by Lori Felker & Robert Todd
    Wednesday March 16th 2011, 20h
    Massachusetts College of Art, Film Department
    Screening room 1. 621 Huntington Ave. Boston, Massachusetts 02115, USA

    To Co-respond, or “respond” together, implies a match, which is (used) to light a flame or, in other words: to create light together, or to make light, to lighten, or to illuminate while at the same time unburdening, which suggests a vertical movement (a sort of anti- or counter-gravitational movement) and allowing the freedom to “move” more readily, and in this case interactively, one “note” in the correspondence opening a portal through which correspondent and correspondee can mosey, float, stride, jump, or ooze, and con- sider from both sides, the “outside” becoming an inside from within which other casements can be carved, other throughways considered, taken, burst apart and re-imagined. If there is an end point it’s formed/ found on the edge of the horizon of this hall of revolving mirrors, dissolving what seemed to be a clear illusion of singularity, exploding the personal while turning over, under, upward, sideward, onward.

    THE ARTISTS:
    Lori Felker
    Lori chose Filmmaking as her official second language in 2003-ish, bumping German into third place. Eventual fluency is important to her, so she employs many forms/formats, practices frequently with others, and tries hard not to shy away from expressing her thoughts on human behavior, travel, inter-activity, frustration, failure and political irritants.

    Robert Todd
    After a lifetime torn between music and drawing/painting, film sauntered into the picture in 1989 and offered Rob Todd’s maker-innards a truce that seems to have endured ever since. A lyrical filmmaker as well as a sound and visual artist, he continually produces short works that resist categorization.
    The works in this program have been included in programs at the Rotterdam International Film Festival, Ann Arbor Film Festival, Boston Underground Film Festival, Migrating Forms, Chicago Underground Film Festival, Maryland Film Festival, Festival du Nouveau Cinema, Milwaukee Underground Film Festival, WNDX Festival, and the WiP Festival.

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  • In Bed with James Broughton: An evening of poetry, films, and performance

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    Big JoyIn Bed with James Broughton: An evening of poetry, films, and performance
    Saturday, March 5, 2011, 20h
    San Francisco Art Institute (SFAI)
    800 Chestnut Street, San Francisco, CA 94133

    Dates: 

    Saturday, March 5, 2011 - 20:00 to Sunday, March 6, 2011 - 19:55

    Venue: 

    San Francisco Art Institute - San Francisco, United States
  • Braquage & Scratch Projection: Sarah Pucill

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    Phantom rhapsody(Sarah Pucill, 2010)Born in 1961, British artist Sarah Pucill has developed over the last twenty years a very private world through photography. The majority of his films take place in the containment of domestic space, where the reality of the house becomes the scene of a complex psychological realm. Her work has been frequently shown in museums and galleries and have won numerous awards at festivals of the first order. Light Cone, in collaboration with the Ecole Nationale Superieure des Beaux-Arts (ENSBA) and the Braquage association, present two screenings of short films by Sarah Pucill, with the presence of the artist. These session will discover an intimate and singular work and will serve to present the new DVD compilation by LUX.

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  • Plenty 5: O’er The Land

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    O'er the land (Deborah Stratman, 2009)Plenty 5: O’er The Land
    Tuesday 8 March 2011, 19h-21h
    Event Gallery
    96 Teesdale Street, Bethnal Green, London, E2 9PU

    - O’er The Land (Deborah Stratman, USA, 2009, 16mm, colour, sound, 52 minutes)

    Marine Corps pilot William Rankin ejected from his jet into a severe thunderstorm, surviving lightening strikes in a 40-minute descent. 50 years later, his account is the starting point for a contemplation of American national identity that takes in revolutionary war re-enactments, high school football games, gun shows, firefighters and border patrols. Deborah Stratman (born 1967) is a Chicago-based artist working in photography, sound, drawing and installation. Her films use experimental and documentary techniques to explore an interest in landscapes, mythologies and systems.
    Free Admission. Small space. Arrive early. Doors 19h. Film 19:30h.

    The screening series Plenty proposes a new way of looking at artists’ films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and space to consider it. Plenty is a free monthly screening series selected by Mark Webber. It forms part of the “Brief Habits” programme curated by Shama Khanna.

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  • The Complete Films of Fred Camper

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    SN (Fred Camper, 1984)The Complete Films of Fred Camper
    March 4 & April 16, 2011, 20h
    Fred Camper in Person at Both Screenings
    The Nightingale, 1084 N. Milwaukee Ave., Chicago, IL 60642

    White Light Cinema is extremely pleased to present these very rare public screenings of the complete films of Fred Camper. Camper has been a thoughtful and articulate writer on film for over forty years (much of his writing is available on his website) and, more recently, has been producing an astonishing body of digital artworks. His earlier filmmaking practice, however, is little known. Long out of distribution (some never in distribution), his short 16mm and Super-8mm films have not been publicly screened for decades. And this presentation of his stunning feature-length Super-8mm film SN is only its third-ever public showing. These films may not be screened again for many years, due to their irreplaceability.

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  • Courtisane Festival 2011

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    Courtisane festival logoThe Courtisane Film Festival celebrates its tenth anniversary. From March 30 to April 3, the festival of the Belgian city of Ghent is preparing a programme focusing on works radical both on the discourse and cinematographically.

    The section 'Artist in focus' has three protagonists this year: Sylvain George, Robert Fenz and Robert Beavers. Each one of them will present a selection of their own filmography and curate a programme of films by other filmmakers that have been an influence in their work. There will be also two performances of film and music with the collaborations of Sylvain George & William Parker (31 March, Vooruit) and Robert Fenz & Wadada Leo Smith (1 April, Vooruit).

    The festival opens with the premiere of disorient by Florence Aigner and Laurent Van Lancker in an 'expanded' performance version in collaboration with Sébastien Koeppel and Laszlo Umbreit. Additionally, several masterclasses and workshops, as well as a Martin Arnold installation with this pieces Shadow Cuts and Soft Palate.

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