Events

  • Carte blanche to Pierre Villemin at FIAV of Casablanca

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    The 25th International Video Art Festival of Casablanca invites Pierre Villemin for a carte blanche.  He will be presenting three experimental documentaries, his main interest in his practice: 

    • From the side of immediate reality 30'  
    • Memory of a future 16' 
    • Glacies 8'

    Pierre Villemin's website : https://pierrevillemin.wordpress.com/

    Friday April 26th, 19:00, Art Gallery Marsam, 6 rue Jbel Bouyeblane. Triangle d'Or, Casablanca

    Dates: 

    Friday, April 26, 2019 - 19:00

    Venue: 

    Art Gallery Marsam - Casablanca, Morocco
  • 21st VIDEOEX International Experimental Film & Video Festival

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    Videoex, the largest Experimental Film & Video Festival in Switzerland, is celebrating its 21st edition this year. Over 9 days, Videoex will present more than 150 works on the threshold between visual art and film.

    Videoex – International Experimental Film & Video Festival Zurich 
    25 May – 2 June 2019
    21st Edition

    International & Swiss Competition

    Guest programme Brazil: Hélio Oiticica, Glauber Rocha, Vivian Ostrovsky, Videobrasil, Tropicalismo

    Dates: 

    Saturday, May 25, 2019 (All day) to Sunday, June 2, 2019 (All day)

    Venue: 

    Videoex Filmfestival - Zürich, Switzerland
  • If AI Were Cephalopod

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    Telematic is pleased to present If AI were Cephalopod, a new multi-channel video installation by the collaborative artist 0rphan Drift (Ranu Mukherjee and Maggie Roberts), which explores fictional relationships between human, animals and synthetic entities, in order to imagine possible future embodiments and forms of consciousness. Drawing upon Embodied Cognitive Science and Radical Anthropology, the artists ask what paradigm of “intelligence” we presuppose in the development of Artificial Intelligence, implicitly challenging commonplace assumptions about what it means to be human as distinct from other forms of life. Is it not perhaps better to imagine the intelligence of machines in light of, what we now recognize as, the remarkably sophisticated cognition of other creatures?

    Dates: 

    Saturday, May 4, 2019 - 18:00
    Wednesday, May 8, 2019 - 18:00
    Thursday, May 9, 2019 - 18:00
    Friday, May 10, 2019 - 18:00
    Saturday, May 11, 2019 - 18:00
    Wednesday, May 15, 2019 - 18:00
    Thursday, May 16, 2019 - 18:00
    Friday, May 17, 2019 - 18:00
    Saturday, May 18, 2019 - 18:00
    Wednesday, May 22, 2019 - 18:00
    Thursday, May 23, 2019 - 18:00
    Friday, May 24, 2019 - 18:00
    Saturday, May 25, 2019 - 18:00
    Wednesday, May 29, 2019 - 18:00
    Thursday, May 30, 2019 - 18:00
    Friday, May 31, 2019 - 18:00
    Saturday, June 1, 2019 - 18:00
    Wednesday, June 5, 2019 - 18:00
    Thursday, June 6, 2019 - 18:00
    Friday, June 7, 2019 - 18:00
    Saturday, June 8, 2019 - 18:00

    Venue: 

    Telematic - San Francisco, United States
  • Walden presents: Fred Worden

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    This program brings together a selection of early to mid-career 16mm works by American filmmaker Fred Worden. Occupied with optical cinematic investigations and the machinic constituents of cinema, Worden's work has been described as being developed "out of his interest in intermittent projection as the source of cinema’s primordial powers. How a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism."

    Dates: 

    Tuesday, April 30, 2019 - 18:30

    Venue: 

    Filmhuset, Gärdet - Stockholm, Sweden
  • Pugnant Film Series: My DIY movie is better than your industry film

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    The films are windows to look at the world - sometimes are also windows for the world to look at you.

    PUGNANT FILM SERIES

    A Saturday per month
    Auteur-Underground-Dada-Bizarre-Ungenred CINEMA
    at Andora by Pugnant Film Series

    Saturday 20.04.2019 (vol.5)

    My diy movie is better than your industry filM

    Dates: 

    Sunday, April 21, 2019 - 00:15 to 01:30

    Venue: 

    Cinema Andora - Athens, Greece
  • Barbara Hammer: Cinema of Intimacy

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    In tribute to film legend Barbara Hammer (1939–2019), this program highlights a selection of the artist’s early films rooted in the Bay Area. Shot at the Roxie Theater, the beginning of Audience (1982) features Hammer’s fun, flirtatious, and thoughtful interviews with the audience line before her tribute screening as part of that year’s San Francisco International Lesbian and Gay Film Festival. Recognized as one of the first lesbian experimental filmmakers, Hammer explicitly championed the perspective of women and the visibility of the lesbian and queer communities

    Dates: 

    Thursday, April 25, 2019 - 18:30

    Venue: 

    Little Roxie - San Francisco, Estados Unidos
  • Cineinfinito #87: Pat O'Neill

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    Pat O’Neill’s rarely screened masterpiece Water and Power (1989) is a technological feat on the terrifying desert created by Los Angeles’ enormous water consumption. O’Neill focused intently on the industry that sprang up around Los Angeles, ‘the city that changed land into desert’, which he filmed with the use of time-lapse photography and optical printing and animation. In this way, he managed to expose the inexorable conflict between industry and nature.

    Dates: 

    Monday, April 15, 2019 - 18:00

    Venue: 

    Centro Cultural Doctor Madrazo - Santander, España
  • SFAI x Canyon: Mike Henderson

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    Before becoming an accomplished painter and blues guitarist, Mike Henderson studied with Robert Nelson in the SFAI Film Department; between the 1960s and 1980s he sustained a filmmaking practice, creating a remarkable body of work that renders black experience and the joys and struggles of making art with humor and idiosyncrasy. He joins us to present his film The Shape of Things alongside canonical work from Nelson and George Kuchar, two of the filmmakers and teachers most closely associated with film at SFAI, and Bruce Conner, whose work and legacy has helped to define alternative cinema in the Bay Area. 

    Dates: 

    Wednesday, April 10, 2019 - 19:30

    Venue: 

    San Francisco Art Institute - San Francisco, United States
  • FilmJam

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    A four week course in artists and experimental filmmaking taught by Maximilian Le Cain + Aoife Desmond

    The Guesthouse Project Space, 10 Chapel Lane, Shandon, Cork. Mondays 7pm - 9pm, May 6th - 27th
    Materialist Film / Fictional Documentary / Performance / Expanded Cinema
    Price €120 ( early bird €100 before April 15th). Booking is essential as places are limited. Contact [email protected] to book.

    Dates: 

    Monday, May 6, 2019 - 19:00 to 21:00
    Monday, May 13, 2019 - 19:00 to 21:00
    Monday, May 20, 2019 - 19:00 to 21:00
    Monday, May 27, 2019 - 19:00 to 21:00

    Venue: 

    The Guesthouse - Cork, Ireland

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