Events

  • Cinématons by Gérard Courant

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    Cinématons by Gérard CourantCinématons by Gérard Courant
    October 28th – November 14th
    Opening Reception on Thursday Oct 28th 18-21h
    Microscope Gallery
    4 Charles Place. Bushwick, Brooklyn, NY 11221

    Microscope Gallery is honored to exhibit for the first time in the U.S., and in its entirety, the epic Cinématons, a 154-hour, more than 30-year project by French film-maker and cinephile Gérard Courant. An adventure begun in 1978 and running through October of this year, Cinematons is the longest film in history and features 4-minute silent portraits of the artists, directors and others who devote themselves to the art of cinema from renowned Hollywood director’s to the avant-garde including: Jean-Luc Godard, Sergueï Paradjanov, Wim Wenders, Félix Guattari,Terry Gilliam, Samuel Fuller, Joseph Losey, Jonas Mekas, Peter Kubelka, Pedro Costa, John Giorno, Derek Jarman, Philippe Garrel, Lou Castel, Jean-Marie Straub, Danièle Huillet, Olivier Assayas, Ben Vautier, Robert Kramer, Michael Snow, Mike Kuchar, Jean-Jacques Lebel, Manoel De Oliveira, Raul Rouiz, Marco Bellocchio, Mario Monicelli, Ken Loach, Joseph Morder, Boris Lehman, Dominique Noguez, Jackie Raynal, Paul Sharits.

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  • Directors Lounge: Ladybugs do not Dream

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    Directors Lounge: Ladybugs do not DreamDirectors Lounge: Ladybugs do not Dream
    Works by Maru Ituarte & Ute Ströer
    Thursday, October 29 2010, 21:30h
    Z-Bar, Bergstraße 2, 10115 Berlin-Mitte

    Two female filmmakers present their work at Z-Bar, the upcoming Directors Lounge screening. Both show a clear female point-of-view onto their subject without calling themselves feminists.

    Maru Ituarte, born in Monterrey, Mexico, has recorded and collected images of her surrounding with a critical view onto the violent, destructive and male-oriented aspects of a society that separates the male and female sphe...res at large. A found box of Hi-8 tapes, meant to be recorded over, became the source for a work called „Mexican Goulash“, which has a stunning similarity to a compilations of those self-obsessed clips to be found on Youtube in our days. It becomes the portrait of a certain part of the middle class.

    Ute Ströer’s interest in film is based on her love for fairy tales and horror movies. The filmmaker meticulously works on the look of her images, strives for perfection in color and composition, and with her film characters she tries to achieve the largest band-with of expression and possible interpretation. The narrator we might have believed to hear exists only in the viewer's head, the story we read only exists in fragments of symbols, a “Glasperlenspiel” of meanings.

    Thus, as much as the aesthetic of the two artists may differ, they have much in common. Both invite, even seduce the viewer to follow onto a subjective journey of female perspective, when half-way on seemingly secure roads the viewer realizes, it's their own imagination that has been triggered, their own story they have lived through, and actually, there is no such simple interpretation.

    The artists will be present and available for Q&A.

    Curated by Klaus W. Eisenlohr

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  • Cinema against the tide: Latin America and Spain

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    Under the title of 'Cinema against the tide: Latin America and Spain. Dialogues, confluences, divergences... in the last 80 years' SEACEX and CCCB present a group of different activities (congress, travelling programme and DVD) with the aim to investigate about and disseminate the avant-garde/experimental cinema of Latin America and Spain. The congress will be held on October 28-31 in Barcelona, with the presence of filmmakers and scholars such as Narcisa Hirsch, Ximena Cuevas, Jorge La Ferla, Arlindo Machado, Jesse Lerner, Tomàs Pladevall, Alfonso del Amo, Ángela López, and Juan José Mendy. The congress will include several lectures, round tables, a master class on editing by Cuban filmmaker Nelson Rodríguez and a workshop on 'Introduction to experimental animation' by Lourdes Villagómez (Mexico).

    The travelling programme will be comprised by six themed sessions with a total of 60 films that will be screened for the first time during the congress. In a similar way as 'From ecstasy to rapture' the project will include a DVD-catalogue with a selection of Latin American films, released by Spanish publisher Cameo.

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  • La imagen en llamas

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    La imagen en llamas
    Sábado, 23 de octubre, 19h
    Off Limits
    Escuadra 11, bajo, Madrid, Spain

    Ángela López Ruiz, artista, curadora e investigadora uruguaya presenta “La imagen en llamas”, una revisión de la historia fílmica de Uruguay desde la década del 20' hasta finales de los 70'.

    A principio de los 70' un incendio extinguió, casi en su totalidad, la colección de films de CINEARTE SODRE, entidad creada en 1943 destacada por su liderazgo en América Latina. Gracias al gesto de política afectiva del poeta Fernando Pered...a que dona su colección de primitivos (500 títulos) y al apoyo de filmotecas extranjeras, este espacio se refunda y deviene en el "Archivo Nacional de la Imagen SODRE" (1985).

    El primer incendio arrasó con la sede del Festival de Cine Experimental y Documental, el segundo destruyó la memoria fílmica de Uruguay.

    La dictadura militar y los gobiernos que lo suceden no actúan frente a la dispersión de documentos tangibles. La potencia creativa que se promovía durante el Festival quedó enquistada, dando la sensación de que el Cine Uruguayo aún está por nacer.

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  • LFF 2010: Experimenta

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    The Indian Boundary Line (Thomas Comerford, 2010)As each year the London Film Festival features their Experimenta Weekend, dedicated to 'artists' film & video'. Curated by Mark Webber with assistance from Melissa Gronlund, the event will feature eight programmes of film and video with the latest work of artists such as Nathaniel Dorsky, Peter Tscherkassky, Ben Rivers or Miranda Pennell. Filmmakers Emily Richardson and Martin Arnold will present their new works as two installations that will be running during the whole weekend. Lewis Klahr and David Gatten will be the protagonists of several special events including a workshop by the American re-animator on 'Narrative collage'.

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  • Independence

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    Independence
    Inaugural Exhibition
    Curated by Elle Burchill and Andrea Monti
    September 18th – October 18th
    Opening Reception: Sept 18th 6-9pm
    Live performances at 6pm

    Featuring works by: Peggy Ahwesh, Michel Auder, Agnes Bolt, Martha Colburn, Bradley Eros, Raul Vincent Enriquez, Glen Fogel, Takahiko Iimura, Tom Jarmusch, Jonas Mekas, Anton Perich. And a special installation by Jonas and Sebastian Mekas.

    Dates: 

    Monday, October 18, 2010 - 18:00 to Wednesday, November 17, 2010 - 20:55

    Venue: 

    MICROSCOPE GALLERY (previous) - New York, United States
  • The Internet is a terrible place to live

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    Homing (Stephen Slappe)On tour from Oregon, Jesse Malmed stops by MICROSCOPE Gallery on Friday 10/15 to present a special screening of his video program 'The Internet is a Terrible Place to Live' – featuring works by Nia Burks, Tabor Robock, Rachael Morrison, Jeremy Bailie, Tyrone Davies, Grey Gersten, Stephen Slappe, Nathanial Katz, Hooliganship, & Max Juren.

    Dates: 

    Friday, October 15, 2010 - 19:00 to Saturday, October 16, 2010 - 18:55

    Venue: 

    MICROSCOPE GALLERY (previous) - New York, United States
  • Pomylka / The Tipping Point of Failure.

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    Pomylka / The Tipping Point of Failure
    29 October - 05 December 2010
    Galeria NT / Imaginarium
    ul. R. Traugutta 18, 90-113 Lódz, Poland

    Today many people enjoy their time watching super 8 tapes, while listening to poorly recorded vinyl records or endlessly copied cassette tapes. They enjoy the discolorations, cracks, and noises of these media. This retro-fetishism shows that we find ourselves at an aesthetic turning point; the good quality of the old image is no longer important. Instead, we are attracted to the traces of "old" media, that seem to be absent or at least imperceptible in the "new" media of today. Artists such as Rosa Menkman aim to show and evaluate the flaws that we haven't yet learned to appreciate or even recognize in our new media - the imperfection.

    Rosa Menkman (1983, Arnhem, Netherlands) is a leading international theory-practitioner of glitch art. She has written extensively on digital artifacts and noise, including the Glitch Studies Manifesto (2010). Her videos and real-time performances have been included in festivals like Cimatics (Brussels '08 + 09), Blip (Europe and US in 2009), Video Vortex (Amsterdam '08 + Brussels '09), ISEA (Dublin '09) and File (Sao Paolo '10). She was also one of the organizers/curators of the successful GLI.TC/H festival that took place in Chicago in 2010. She has collaborated on art projects and performed together with Alexander Galloway, little-scale, Govcom.org and the Internet art collective, Jodi.org. Menkman received her Master's degree in 2009 and is currently pursuing a practical PhD at the KHM Cologne, writing on the subject of Artifacts.

    Roman Jakobson identified various functions of communication in the primary axis between the addresser, the addressee and the message. When communication revolves only around the message itself, it has, according to Jakobson, a poetic function. Such a message does not communicate anything but its structure. Glitch is a radical implementation of this postulate on the grounds of visual arts.

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