I wanted to see if the experience of what I saw would have any correspondence to what I felt-- the intimacy of the lovemaking... And I wanted to put into that materiality of film the energies of the body, so that the film itself dissolves and recombines and is transparent and dense-- as one feels during lovemaking... It is different from any pornographic work that you've ever seen-- that's why people are still looking at it! And there's no objectification or fetishization of the woman. (Carolee Schneemann)
- Fuses (Carolee Schneeman, 1965, USA, 16 mm., 30’)
- Plumb Line (Carolee Schneeman, 1968-1972, USA, 16 mm., 15’)
- Viet-flakes (Carolee Schneeman, 1965, USA, 16 mm., 9’)
Restored and extended print of Fuses.
Presentation by Gonzalo de Pedro Amatria, faculty of Universidad Carlos III and programmer of Filmoteca Española.