This session of experimental films will try to describe various aspects of the relationship between cinema and painting: we will see works by artists continuing their pictorial research through the moving image, tributes and quotes, and more, in a converging path on abstraction and matterism, exploring the plasticity and the unveiling of the constituting elements of cinematic representation.
Programme: - Ex (Jacques Monory, 1968, 5') - Homage to Magritte (Anita Thatcher, 1974, 10') - Point de fuite (Jacques Curty, 1980, 25') - Circles of Confusion (Bill Brand, 1973, 15') - Arctic Desire (Bruce Wood, 1976, 7') - Imag’in the sea (Guy Trier, 1979, 6') - Libres (Jacques Perconte, 2012, 4') - There is no G.O.D. without R.G.B. (Clint Enns, 2008, 28'') - Persian Series 1-5 (Stan Brakhage, 2000, 16')
Programming: Boris Monneau
All films are from the catalogue of Collectif Jeune Cinema
Comments
ATTENTION: mon NOM = TRIER (d'origne Allemende) est mal traduit.
Submitted by Gut TRIER on
Mon NOM = TRIER ( Guy ), d'origine Allemande (comme: Lars Von TRIER), à partir d'un texte écrit en ANGLAIS est SYSTEMATIQUEMENT traduit par: TREVES (en l'occurence: Guy TREVES ! ! ).
TREVES, étant, aussi une ville ALLEMANDE ( à la frontière Fraçaise)...nommée soit : TREVES où bien : TRIER (CQFD ! ! ).
MERCI DE BIEN VOULOIR RECTIFIER. Cordiales salutations. Guy TRIER ( Guy G. TRIER ).
If I am not mistaken
Submitted by Marcos Ortega on
Hello, Guy
If I am not mistaken, your name is exactly as you say in the post: "Guy Trier".