Events

  • Close-Up: '16' – 16 Films, 16 Filmmakers, 16mm

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    Close-Up: '16' – 16 Films, 16 Filmmakers, 16mmClose-Up: '16' – 16 Films, 16 Filmmakers, 16mm
    Saturday April 30, 18h. Doors open at 17:45h
    The Working Men’s Club, 44-46 Pollard Row, London E2 6NB
    £12/£9 to Close-Up members

    Following the recent announcement that Soho Film Lab is to discontinue the printing of 16mm films, Close-Up is organising a very special evening of films, talks and interventions by filmmakers to provide an opportunity for filmmakers and non-filmmakers alike to join us and discuss the future of 16mm. The 4-hour programme will be a lively compendium of diversity that will illustrate the richness of the medium, followed by music and drinks till late…

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  • Dvblog screening

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    Since the summer of 2005 DVblog http://www.dvblog.org/ has been an online resource for art & entertainment movies in QuickTime format.

    Saturday 26th March will see an offline manifestation of DVblog. A 45 minute programme of artists moving image will be screening continuously at The Museum of Club Culture from 1pm - 5pm

    Dates: 

    Saturday, March 26, 2011 - 13:00 to Sunday, March 27, 2011 - 16:55

    Venue: 

    The Museum of Club Culture - Hull, United Kingdom
  • Directors Lounge: Seppo Renvall. Times, Songs and Material

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    Woody (Seppo Renvall, 2003)Directors Lounge: Seppo Renvall. Times, Songs and Material
    Thursday March 24th, 21h
    Z Bar
    Bergstraße 2, Berlin-Mitte, Berlin, Germany

    "High mental quality, feeling quality and situation quality. But not technical qualities, there are no sharp images, there was no tripod used or anything, everything is kind of shaky. I like that very much.“ (Seppo Renvall about FILM19999)
    "A few more words must be said about the emergence of the everyday (in Seppo Renvall's films). For Renvall has taken up a very particular kind of challenge here, one that has motivated filmmakers at least since the 1920's, the challenge of transmuting the banality of the quotidian world into epiphany. … Now in a new century, Seppo Renvall is one of those contemporary artists who lead the way toward a new documentary horizon." (Michael Renov, 2002)

    Curated by Klaus W. Eisenlohr
    With support from Suomesta Galerie, Berlin

    http://www.directorslounge.net/
    http://www.z-bar.de/
    http://open.fixc.fi/public.php?nid_send=271&uid_send=15
    http://www.facebook.com/pages/Suomesta-galerie/117934471569793

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  • The Hole Picture

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    The Hole Picture: An Intergenerational Dialogue on Erotics and Porn in Lesbian-Feminist Queer CinemaThe Hole Picture: An Intergenerational Dialogue on Erotics and Porn in Lesbian-Feminist Queer Cinema
    A screening and talk featuring Barbara Hammer, A.K. Burns and A.L. Steiner
    Saturday March 26th, screening 15h, panel 17:30h
    Issue Project Room, At the Old American Can Factory
    232 3rd Street, 3rd Floor, Brooklyn, NY

    The feminist reception and production of pornography has had a complicated trajectory, a discourse of representation often bound by the logic of the male gaze. The Hole Picture brings together a selection of socio-sexual films & videos by artists Barbara Hammer, A.K. Burns and A.L. Steiner that celebrate desire and redefine notions of queer sexuality and the lesbian body. Presenting a multigenerational overview of representation, this screening and panel discussion will focus on contemporary artistic practices which incorporate avant-garde visions of sexuality and erotics, dissecting the trope of pornography itself. Screening will be followed by a discussion with the filmmakers, moderated by art historian Kelly Dennis, author of Art/Porn: A History of Seeing and Touching.

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  • Jordan Belson: Films Sacred and Profane

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    Epilogue (Jordan Belson, 2005)
    Still from Epilogue (2005), copyright Jordan Belson

    Jordan Belson: Films Sacred and Profane
    Saturday, March 26th, 19:30h
    LACMA - Bing Theatre
    5905 Wilshire Blvd., Los Angeles CA 90036
    Presented in association with Center for Visual Music

    Born in Chicago and raised in the Bay Area, Jordan Belson trained as a painter before turning his attention to film-making after discovering the abstract films of Oskar Fischinger, Norman McLaren and Hans Richter. Since 1947, Belson has explored consciousness, transcendence, and light in a visionary body of work that has been called "cosmic cinema": brimming with vibrant color, mandalas, liquid forms and mesmerizing rhythms.

    In 1957-59, Belson collaborated with sound artist Henry Jacobs on the Vortex Concerts, early multimedia events that combined new electronic music with Belson’s visual effects projected on the 65-foot dome of the California Academy of Science’s Morrison Planetarium. The program at LACMA features rarely screened films including Caravan (1952), Séance (1959), Cycles (1974, made with Stephen Beck), a new preservation print of Chakra (1972), and Belson's latest film, Epilogue (2005), funded by the NASA Art Program and commissioned by the Hirshhorn Museum (produced on video). The program also includes Allures, Light, Music of the Spheres and Samadhi. Program introduced by Cindy Keefer, curator and archivist, CVM.

    For more about Jordan Belson (biographies by Moritz and Keefer, bibliography, filmography, Vortex resources, new articles, etc.), or the Belson DVD, please visit the official Belson Research site at: www.centerforvisualmusic.org/Belson

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  • Images of Nature, or The Nature of the Image: Canadian Artists at Work

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    Light Magic (Izabella Pruska-Oldenhof, 2001)Images of Nature, or The Nature of the Image: Canadian Artists at Work
    Wednesday March 23, 19h
    TIFF Bell Lightbox
    Reitman Square, 350 King Street West
    Toronto, Ontario, M5V 3X5

    Spanning four decades of Canadian experimental cinema, this programme is comprised of work visually and viscerally engaged with the natural world. Made by artists from or living in Canada, these films employ an array of aesthetic strategies and image technologies to depict and comment on “nature” while simultaneously exploring the nature of the cinematic image. Some investigate the natural world with increasing intensity and proximity, others explore the animal and the animated with ironic distance. With passion, intensity and even some humour, these Canadian film artists offer us provocative visions of our planet while exhilarating us with their cinematic ingenuity.

    Curated by Irina Leimbacher. Irina Leimbacher is a curator and scholar. Formerly Artistic Director of the San Francisco Cinematheque, she currently teaches in the Film Department at Keene State College, New Hampshire.

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