Events

  • Manipulated Image #10: Exquisite Corpse Video Project Vol.1

    By on

    Exquisite Corpse Video Project Vol.1Manipulated Image #10: Exquisite Corpse Video Project Vol.1
    Friday, January 29 2010, 7pm
    Santa Fe Complex: 632 Agua Fria Santa Fe, NM, USA, 87501
    $5 suggested contribution

    ECVP screenings and exhibitions have been taking place in various countries since June 2008, such as Sweden, USA, Greece, Canada, Brazil, Australia and South Africa. The second volume of the project with 12 new videos has just been released in October 2009 in Sweden.

    Juliana Monachesi writes:
    “The Exquisite Corpse Video Project, having embraced random and chaotic processes, departs from the Dadaist method of creation. Each artist responds to the ten seconds of video sent by the previous artist with one minute of his own, from which he sends the last ten seconds to the next artist. The result is video that runs about ten minutes. The power of a video made by twenty hands surpasses the current vogue of the collective practices in the visual arts. Notably, the artists involved in this project each have a “solo” career, participating in important festivals and exhibitions worldwide. Beyond emerging as a new “collective,” the ECVP experience distinguishes itself by gambling on the possibilities of sharing and creating through the platform of decentralized social networks that have spread through the world wide web. And it offers an aesthetic answer to the mayhem of audiovisual content jamming the same www by showing that there is intelligent life on the You Tube channels.”

    http://www.vimeo.com/excorpse
    http://www.artreview.com/profile/excorpse
    http://groups.to/ecvp

    Category: 

  • Just look around this place

    By on

    Just look around this place
    Curated By Kenneth White
    Friday January 22nd 7pm
    Baer Ridgway Exhibitions of 172 Minna Street, San Francisco, USA

    Just look around this place

    "Just look around this place" is a collection of seven short works in video that explore the transformation of social relations by the video medium. Using a diverse range of methods, including video-diary, home video, animation, direct address, and appropriation, the artists dissect their means of creative production and the mutations of social performance that their medium instigates. Video is an environment through which interaction is conditioned. In each work, we are beckoned to “just look around this place,” and recognize the (often hilarious) scenes of life performed for electronic media. Works and artists include “Let’s watch this guy at a coffee shop.” (Julie Perini), “HOME / VIDEO” (Michael Hession), “Video Terraform Dance Party” (Jeremy Bailey), “Pine Point” (Kenneth White), “Beauty Plus Pity” (Emily Vey Duke and Cooper Battersby), “West Nile” (Tom Sherman), and “The Frills 3.0” (Jimmy DiPasquale). Curated by Kenneth White. Running time 1 hour. Free and open to the public.

    Category: 

  • Cinémathèque française: Ken Jacobs performance

    By on

    KJ_CFCinémathèque française: Ken Jacobs performance
    Saturday, January 16th  2010, Salle Henri Langlois
    51, rue de Bercy, 75012 Paris, France

    Major artist of the experimental scene in New York, Ken Jacobs is the author of numerous films, including Tom Tom the Piper's Son, an exploration of a film from 1905, and the pamphlet on U.S. policy after the war, Star Spangled to Death.

    Dates: 

    Saturday, January 16, 2010 - 20:00 to Sunday, January 17, 2010 - 19:55
  • José Antonio Sistiaga, en conversación con Francisco Javier San Martín

    By on

    José Antonio Sistiaga, en conversación con Francisco Javier San Martín

    imagen de José Antonio Sistiaga

    José Antonio Sistiaga. Ere erera baleibu icik subua aruaren, 1968-70. 35 mm, pintada a mano, color, sin sonido, 75’
    José Antonio Sistiaga. Documental Encuentros 72, Pamplona, 1972. 16mm, transferida a DVD, b/n, sin sonido, 51’44’’

    Dates: 

    Friday, January 15, 2010 - 19:30
  • Bienvenidos a la sociedad secreta (I)

    By on

    Este espacio de programación quiere indagar en el concepto de lo fantástico, concebido como el acercamiento a una realidad frecuentemente percibida como oscura e inquietante. La primera sesión se centra en espacios fantasmales, ofreciendo aportaciones poco conocidas de grandes directores del cine experimental (Brakhage, Ito, Mattuschka) así como obras de jóvenes artistas (Prim) o de figuras más underground pero no menos relevantes (Dabernig, Worden).

    Dates: 

    Thursday, January 14, 2010 - 20:00 to Friday, January 15, 2010 - 19:55
  • Delicate Matter: experiments with flesh and the analogue

    By on

    Hautnah/Skinflick (Thorsten Fleisch)Delicate Matter: experiments with flesh and the analogue
    A programme of experimental film curated by Richard Tuohy.
    Saturday 30th January 2010, Doors open 8:30pm
    The BAck doOR @ suek-artist
    658 Plenty Road, Preston, Victoria, 3072 Australia

     

    It's the flesh, the touching physicality and tiny inconsistencies in approximation and decay that give the analogue its vitality. The film in this selection, sourced from around the globe, all demonstrate a fascination with the analogue physicality of cine film, with its fragility and its presence, with the vitality of its fleshiness.

    (All works in the programme have at some stage used film as a source material in its production.)

    - Dissolve, Aaron Valdez (USA)
    - Matar a Hitchcock (To Kill Hitchcock), Alberto Cabrera Bernal (Spain)
    - Firebird Loop, Ben Popp (USA)
    - Hautnah/Skinflick, Thorsten Fleisch (Germany)
    - Touchez Pas, Ben Popp (USA)
    - Tiny Inconsistencies, Raymond Salvatore Harmon (USA)
    - Two Cities, Lea Becker (USA)

    Entry by donation.

    Category: 

  • Light Indusrty: Helsinki, Forever

    By on

    Light Industry: Helsinki forever
    Tuesday, January 26, 2010 at 7:30pm
    220 36th Street (between 2nd and 3rd Avenue), 5th floor
    11232, Brooklyn, NY, USA

    Helsinki, Forever
    Peter von Bagh, 2008, 75 mins

    "The first eye-popping masterpiece that I saw in 2009 in some ways remains the best...Peter von Bagh's Helsinki, Ikuisesti (Helsinki, Forever) is a lovely city symphony of found footage that is also a history of Helsinki (and incidentally, Finland, Finnish cinema, and Finnish pop music) recounted with film clips and paintings by three voices (one of them von Bagh's), each one periodically reciting different segments in the film's poetic and essayistic discourse.

    The continuity is more often geographical than chronological, although there's also a lot of leaping about spatially as well as temporally. The film is an unalloyed pleasure to watch and listen to, but professional packagers hoping to fix a convenient generic label to this flood of delights might be flummoxed. At separate stages we're introduced to the best-ever Finnish camera movement and the best Finnish musical, invited to browse diverse neighborhoods and eras (and to ponder contrasts in populations and divorce rates), and finally forced to admit that a surprising amount of very striking and beautiful film footage has emerged from this country and city.

    Peter von Bagh—prolific film critic, film historian, and professor, onetime director of the Finnish Film Archive and current artistic director of two unique film festivals, the Midnight Sun Film Festival (held in Sodankylä, above the Arctic Circle, during what amounts to one very long day in the summer) and the magnificent Il Cinema Ritrovato (held in Bologna)—is the man who convinced me to purchase my first multiregional VCR in the early '80s. So he has a lot to answer for, including, for instance, my DVD column in Cinema Scope. Thanks to his unwarranted modesty about his film, I don't believe he's gone public with the responses he's already received from Chris Marker ("If I read in [Walter Ruttmann's] Berlin the social commitment and the aesthetic maestria, I don't feel the personal acquaintance with the city, its history, its ghosts, that I found in yours") and Jean-Pierre Gorin ("Paean to these cities that you inhabit both, the one called Helsinki and the other called Cinema"), but he certainly should." - Jonathan Rosenbaum, Moving Image Source

    Tickets - $7, available at door.

    Category: 

Pages