Screenings

  • Xcèntric: The Enigma of the Photographic

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    Presenting three films of very differing genres and approaches, this programme reflects the fascination people have always felt with the ability of photography to make the invisible visible, even according it supernatural attributes.

    Based on an ontology founded on an immutable belief in images and the power of conversing with the invisible, cinema took from spiritualist photography the elements of a formal grammar whose phenomena of on-screen appearance and disappearance are the essential markers of its magical nature.

    Dates: 

    Thursday, April 7, 2016 - 20:00 to Friday, April 8, 2016 - 19:55

    Venue: 

  • OFFoff Cinema: Selfieland

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    Visual rhetoric in a post-feminist era.

    The use of selfies on the internet as an answer to the exploitation, sexualisation en objectification of the female body in today's consumer society manifests itself as a new tendency within (post-)feminism. This tendency is situated mainly on the internet and floods social media and blogs with snapshots of self aware teenagers in provocative poses and/or with eccentric looks. However, there is a thin line between the random selfie and the selfie as an activist tool for a feminist discourse, which has caused a lot of criticism and rejection from within the movement itself. Artists such as Katie Cercone, Amalia Ulman, Juno Calypso and Ann Hirsh make the distinction between cheap selfies and the intentional politicized self-recording in an artistic oeuvre.

    Dates: 

    Monday, April 25, 2016 - 20:00 to Tuesday, April 26, 2016 - 19:55

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • Light Movement 13: Colour Spaces

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    Light Movement returns to Spektrum this month, and in more ways than one! Colour Spaces presents a collection of films in which colour is a key factor, either in forming the works concept, its formal structure, its depiction of space, or simply an atmosphere. This screening groups together a wide range of works by some incredible filmmakers and artists, all using colour in ways unique to their respective practices.

    Dates: 

    Sunday, April 10, 2016 - 20:00 to Monday, April 11, 2016 - 19:55

    Venue: 

    SPEKTRUM - Berlin, Germany
  • Xcèntric: The cinema of Marjorie Keller

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    This session presents two of Marjorie Keller’s most important films, Misconception and Daughters of Chaos, personal musings on the female experience, both intimate and everyday, constructed from domestic footage subjected to complex editing experiments and the correspondence between image and sound.

    Marjorie Keller died prematurely in 1994 at the age of 43, leaving over 25 films in 8 mm and 16 mm and a series of critical texts about the kind of cinema that interested her, such as a book about childhood in the work of Brakhage, Cocteau and Cornell, and incomplete research into experimental film by women, from pioneers like Germaine Dulac, Maya Deren and Carolee Schneemann to the young generation of her contemporaries, represented by Peggy Ahwesh, Su Friedrich and Leslie Thornton.

    Dates: 

    Sunday, April 3, 2016 - 18:30

    Venue: 

  • Turbidus Film #12: Dragonflies with Birds and Snake

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    Wolfgang Lehmann's Dragonflies with Birds and Snake is a powerfully vibrant film based on zoological and educational footage of insects, birds, and amphibians. The structural montage of the film, with small repititive variations and flicker effects, creating its own spatial and temporal essence.

    ”A menagerie of semiotic editing techniques employed during this exercise allows the marshy world of the dragonfly to unfold before us: dragonfly larvae hatch, whilst mere frames later, a bird slowly devours an adult specimen. We see bird and prey gradually merge forms, holding a constant value of image as all other areas of the frame flicker between positive and negative image, blue sky or green grass.”

    Dates: 

    Friday, April 8, 2016 - 19:00 to Saturday, April 9, 2016 - 18:55

    Venue: 

    Fylkingen - Stockholm, Sweden
  • VISIONS | 05+06.04.16 | JP SNIADECKI

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    In collaboration with the Cinémathèque québécoise and the Global Emergent Media Lab, VISIONS presents Yumen and People's Park by JP Sniadecki.

    The films are part of CHINA NOW: INDEPENDENT VISIONS, a touring programme initiated by Cinema on the Edge. From March 11 to April 6 Montreal will have access to a collection of illuminating documentaries, brilliant shorts, and spellbinding fiction features from the last four years of Chinese independent cinema.

    Dates: 

    Tuesday, April 5, 2016 - 19:00 to Thursday, April 7, 2016 - 22:55

    Venue: 

    Cinémathèque québécoise - Montréal, Canada
  • Peter Gidal: Flare Out

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    A screening of four films by Peter Gidal to celebrate the publication of “Flare Out: Aesthetics 1966–2016”, a collection of his essays on film, art and aesthetics. Gidal was a central figure during the formative years of the London Film-Makers’ Co-op and made some its most radical works. His cinema is anti-narrative, against representation and fiercely materialist, and his writings are similarly polemical and unique. This programme of films from the 1960s to the present includes his most recent work, and will be introduced by Mark Webber and Peter Gidal.

    Dates: 

    Thursday, April 14, 2016 - 19:00 to Friday, April 15, 2016 - 18:55

    Venue: 

  • Xcèntric: Observations

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    Like a scientific observatory, this session brings together a series of experimental films that set out to capture the ephemeral forms, the variations in appearance of things, the modulation of light and the transformations of colour in the landscape.

    Using different filming techniques (static shots, time lapse or filters) and various treatments of the film in the laboratory (solarization, tinted, toning or overprinting), the images become optical illusions of the natural world, moving canvases that are transformed and become highly expressive.

    Dates: 

    Thursday, March 31, 2016 - 20:00 to Friday, April 1, 2016 - 19:55

    Venue: 

  • Young Austrian Avant-Garde Films - the films of filmkoop wien

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    Founded in 2008 by filmmakers with a love for celluloid - the filmkoop wien is the only artist-run film lab in Austria. The collective's mission is to support film arts and offer the space for cinematic experiments. Invited by Canadian filmmaker Madi Piller the filmkoop wien is very happy to present - for the first time in Toronto - a full program of films produced in this lab, created by the hands of its members. The program shows films in Super8, 16mm and 35mm format and aims to present a glimpse of recent Austrian Avant-Garde films created by the young generation.

    Stefanie Weberhofer will be there for a Q&A afterwards. Friendly supported by the Austrian Cultural Forum Ottawa.

    Dates: 

    Wednesday, April 27, 2016 - 21:00 to Thursday, April 28, 2016 - 20:55

    Venue: 

    Cinecycle - Toronto, Canada

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