Michele Fleming’s films bring together most of the artistic disciplines with which she worked and combine the rhythmic observation of the world around her with references to other films and, most of all, a multitude of books; they feature work with the text on screen, portrayals of bodies and the alternating superimposition of colour and black and white.

A programme curated by Alison Nguyen

A screening series of film and video artists who employ modes of appropriation, dematerialization, and electronic signal manipulation in their moving image works. These pieces subvert the visual codes of mass media, repositioning material such as commercials, pornography, and Hollywood films. In burning contemporary archives, these artists create new texts that challenge our way of seeing dominant social constructs.