Siempre Hollywood / No sólo Hollywood, apropiado y reciclado

By on

Rating: 

No votes yet

xcentricXcéntric, the CCCB (the Contemporary Culture Centre of Barcelona)'s programme devoted to experimental and avant-garde, dedicates their November and December screenings to found-footage film. In a series of four programmes, on thursdays and sundays until December 28th there will be screened works by Matthias Müller, Peggy Ahwesh, Maurice Lemaître, Phil Solomon and spanish filmmakers as Iván ZuluetaEugènia Balcells and Eugeni Bonet

Programme 1 (November 23, 20:30 and Novmeber 26, 18:00)

Presenta, Eugènia Balcells, 1977, 7', video
Relativ Romantisch, Klaus vom Bruch, 1983-84, 22', video
El lago azul, David Domingo, 2001, 3' 20 s, video
Yes Frank No Smoke, George Barber, 1984, 8', video
Meeting of Two Queens, Cecilia Barriga, 1991, 14', video
Mecånica (retard digital), Eugeni Bonet, 1976/1990/2001, 5', video
Phoenix Tapes, Matthias Müller and Christoph Girardet, 1999, 45', video

Programme 2 (November 30, 20:30 and December 3, 18:00)

Ammunition Deli, El Perro, 2003, 3' 40 s, vídeo
¿Dónde está el espíritu?, Oriol Sánchez, 2006, 4' 30 s, vídeo
Orgasmo, Luis Cerveró, 1995, 1', vídeo
A ti que te gustan las formas, Lope Serrano Sol y Luis Cerveró, 2003, 1' 55 s, vídeo
Sovereingty, Andrés Duque, 2004, 3' 21 s, vídeo
The Dog Star Man Has a Too Big Flaming Cock for the Sheba Queen, Frédéric Charpentier, 1991, 24', 16 mm
Big Brother , Caroline Avery, 1983, 7', 16 mm
Yes? Oui? Ja?, Thomas Draschan y Ulrich Wiesner, 2002, 4', 16 mm
Simulated Experience, Caroline Avery, 1989, 45 s, 16 mm
The Song of Rio Jim, Maurice Lemaître, 1978, 6', 16 mm
Cruises, Cécile Fontaine, 1988-89, 10', 16 mm
The Color of Love, Peggy Ahwesh, 1994, 10', 16 mm
The Action, David Matarasso, 2006, 10', 16 mm
Film/Spricht/Viele/Sprachen , (Film/Speaks/Many/ Languages), Gustav Deutsch, 1995, 1', 35 mm
La flamme, Ron Dyens, 2000, 2', 35 mm
Instructions for a Light and Sound Machine, Peter Tscherkassky, 2005, 17', 35 mm

Programme 3 (December 7, 20:30 and December 10, 18:00)

Genève, Augustin Gimel, 2004, 6', vídeo
Metawolf, Camille Henrot, 2002, 2', vídeo
Pale Blue Eyes, Lope Serrano Sol, 2005, 2' 55 s, vídeo
Dellamorte Dellamorte Dellamore, David Matarasso, 2000, 2', 16 mm
Exposed, Siegfried A. Fruhauf, 2001, 9', sonora, 16 mm
The Secret Garden, Phil Solomon, 1988, 23', 16 mm
Passage à l'acte, Martin Arnold, 1993, 12', 16 mm
133, Eugènia Balcells y Eugeni Bonet, 1978-79, 45', 16 mm

Programme 4 (December 21, 20:30 and December 28, 20:30)

Escuela de sirenas, Luis Cerveró, 1996, 3', video
Rambo 2001: Artemio's cut, Artemio Narro, 2001, 15', video
Fast Film, Virgil Widrich , 2003, 14', 35 mm
Homenaje a Tarzán (la cazadora inconsciente), Rafael Ruiz-Balerdi, 1969, 5', 35 mm
Safety Film, Hans Scheugl, 1968, 6', 16 mm
Kinkong (Kinkón), Iván Zulueta, 1971, 6', 16 mm
Home Stories, Matthias Müller , 1990, 6', 16 mm
Remembrance, Jerry Tartaglia, 1990, 5', 16 mm
Her Fragant Emulsion, Lewis Klahr, 1987, 10', 16 mm
Frank Stein, Iván Zulueta, 1972, 3' , 16 mm
Heavy Metal, Scott Barlett, 1979, 13', 16 mm
Apoohcalypse Now, Artemio Narro, 2002, 8' 30 s, video
The End, Eugènia Balcells, 1977/1998, 7', video

Category: