Close-Up: '16' – 16 Films, 16 Filmmakers, 16mm
Saturday April 30, 18h. Doors open at 17:45h
The Working Men’s Club, 44-46 Pollard Row, London E2 6NB
£12/£9 to Close-Up members

Following the recent announcement that Soho Film Lab is to discontinue the printing of 16mm films, Close-Up is organising a very special evening of films, talks and interventions by filmmakers to provide an opportunity for filmmakers and non-filmmakers alike to join us and discuss the future of 16mm. The 4-hour programme will be a lively compendium of diversity that will illustrate the richness of the medium, followed by music and drinks till late…

18-00h: Film Programme

- Marcel Duchamp: Anemic Cinema, USA, 1925, B/W, Sound, 8 mins
- Joseph Cornell: Rose Hobart, USA, 1939, Tinted B/W, Sound (1/4 inch tape), 18 mins
- Hollis Frampton: (nostalgia), USA, 1971, B/W, Sound, 36 mins
- John Smith: Girl Chewing Gum, UK, 1976, B/W, Sound, 12 mins
- Julius Ziz: Et Le Cochon Fut Né, USA, 2000, Colour, Sound, 25 mins
- Jonas Mekas: Zefiro Torna, USA, 1992, Colour, Sound, 34 mins
- Anna Thew: LFMC Demolition, UK, Colour, Silent, 8 mins
- Jean-Luc Godard, Chris Marker: Cine-Tracts (1 – 5 – 12 – 15 – 24 – 26), France, 1968, B/W & Colour, Silent, 23 mins
- Helen Levitt: In The Street, USA, 1948, B/W, Sound, 16 mins
- Bruce Baille: Valentin De Las Sierras, USA, 1967, Colour, Sound, 10 mins
- Margaret Tait: Tailpiece, UK, 1976, B/W, Sound, 9 mins
- Larry Gottheim: Doorway, USA, 1971, B/W, Silent, 8 mins
- Stan Brakhage: Fire Of Waters, USA, 1965, Colour, Sound, 6 mins
- John Latham: Erth, UK, 1971, Colour, Sound, 25 mins
- Guy Sherwin: At The Academy, UK, 1974, B/W, Sound, 5 mins

00-02h: Party

Join us afterwards for drinks and analogue grooves from DJ Lamat…