Boston's living legend and a master of small gauge filmmaking! This is volume one and only a drop on the bucket of masterpieces which Saul Levine has produced over the decades.
"Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quot
A series of four films - Cinematographic painting by compounds, mergers of different cinematic levels in multiple exposures. Structure of the image from color dots and the image resolution in dots of color, building the image from image surfaces and plana
An experimental film in the treatment of the relationship of the features from image to sound (0-sound) on the penetration of different communication layers.
The film is divided into five parts, which differ in the visual and musical structure of each other. The plot - it is about two women and their love for each other is of secondary importance.
A long setting of a basement window to the street. Slower and stopping down the street brothers in Hamburg (where Nekes lives). A stand of the belly of a girl on her legs and her dress. Then, vagina and penis, as they are complementary. The 60-minute film
In this film writer/director Peter Tammer explores the FEAR OF THE DARK through the person of the actor Robert Ratti, holding together the hopes and fears of the performer who is facing survival on a day-to-day basis for the opportunity to work in the fut
Included in this book and DVD are the soundtracks to six of Stephanie Barber's experimental films. Reading the text while watching the films augments and enriches the understanding of Barber's dense and lovely work. Out of the pairing comes a distinct, en
John Latham (1921 - 2006) was one of the most important British artists of the post-war period, best remembered for his painting and sculptural works which incorporated materials such as glass, canvas and books. Less well-known, but now restored after several decades out of circulation, are the six films which Latham made during the 1960s and early 1970s. These films developed Latham’s concepts of ‘time-base’ and ‘structure in events’ through playful and varied use of stop-frame animation, from the stroboscopic collage Speak (1960) to the cosmological meditation Erth (1971).
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