"Another Tomorrow: Young Video Art from the Collection of the Neue Galerie Graz am Landesmuseum Joanneum"
Selected by Günther Holler-Schuster, in conjunction with the Slought Foundation exhibition (2008)
Featuring works by Martin Kaltner/Thomas Baum
Coproduction by Kiwido and the Centro Sperimentale di Cinematografia.
Curated by Sergio Toffetti and Annamaria Licciardello
From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and peFrom the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position.
Gioli's name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify thi
Tan sólo el empeño de unos pocos y su pasión por el mundo explica que el cine experimental tenga en España manifestaciones extraordinarias, a pesar de las adversidades que ha conocido, en su producción, distribución y hasta hace bien poco, para ser considerado en el ámbito artístico.
“Ottimismo Democratico" (Democratic Optimism) is a video-itinerary of short films by Flavia Mastrella and Antonio Rezza created and produced between 1990 and 1999. A constant feature is the presence of Antonio Rezza 's tragic-catastrophic figure and (hypnotic) voice. The events tell of a culture in decadence.
Having learnt from experimental and vanguard cinema, as well as contemporary music, Roberto Nanni is constantly looking for a synthesis between a visual and audio language which can with rare non-chalance confuse documentation and abstractism. An emotional deconstruction that questions every type of language and refuses conventional narration.
The book brings together notes, photos, sketches, precious testimonies of his research and of his intimate knowledge of technical and expressive means, as well as Stefano Catucci and Bruno Di Marino's critical texts.
Cindy was asleep under a maple tree/ Rolled over and said to me/ I dreamt of Air Cries/ I turned over, we were lying on the the/ dry cracked mud of a river bed/ Empty Water/ Puppies, Air Cries Only/ They don't make a sound/ My eyes on fire with nothing/ to quell them/ A piece of steel in the heart/ Misery loves company
RE:FRAME is a selection of seven films from a contemporary cinema, removed from Bollywood, that testifies to the richness of creativity in India. Oscillating between documentary, video art, experimental film, and animation, this compilation explores the means with which the texture of memory is incorporated within postcolonial Indian society's individual journeys as well as its national psyche; within private circles as well as public spaces. It allows for contrasting points of view regarding the country's sitiuation and its unanswered question: when the past has yet to catch up with the present, is it a threat or an alternative to the present?
Directed in 1927 by Germaine DULAC and scripted by Antonin Artaud, The Seashell and the Clergyman is generally considered to be the first Surrealist film: a key element of French cultural heritage. This box set is all the more welcome for the fact that th
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