Best rated

Best rated publications according to the votes of the website's visitors.

 

 

  • Hollis Frampton: (nostalgia)

    "In his 1971 short film, (nostalgia) , American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists's transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown.

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    16.00 USD

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  • The Art of Destruction: The Films of the Vienna Action Group

    The Vienna Action Group formed the most provocative, insurgent, and challenging of all the worldwide art movements of the 1960s. Their sexually charged and antisocial actions exacted a profound and irreparable upheaval in the way in which art was conceive

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  • Optical Poetry: The Life and Work of Oskar Fischinger

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  • Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson

    Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.

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    27.95 USD

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  • Morgan Fisher. Two exhibitions

    Sabine Folie and Susanne Titz (Ed.), edited for the Generali Foundation, Vienna and Museum Abteiberg, Mönchengladbach 2012.

    With introductions by Sabine Folie and Susanne Titz, essays by Thom Andersen, Rainer Bellenbaum / Sabeth Buchmann, Yve-Alain Bois and short texts by Morgan Fisher

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    34 EUR

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  • Indiscretions - Avant-Garde Film, Video, and Feminism

    Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory.

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    25 USD

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  • Joseph Cornell Versus Cinema

    Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. 

    However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.

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    65 USD

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  • The George Kuchar Reader

    Despite being a consummate polymath, George Kuchar (1942-2011) is best known as a pioneering underground film and video maker with a disarming do-it-yourself aesthetic and a hilariously eccentric sensibility. Quirky and ingenious, heartfelt and campy, Kuchar's movies know no boundaries and are an entirely unique development in the history of cinema. The artist's characteristic instinct for kitsch, his humor and conceptual brilliance, were not confined to the screen alone; they can be glimpsed in all the activities he carried out throughout his life. The George Kuchar Reader, edited by Andrew Lampert, collects a wide swath of previously uncollected and newly unearthed writings and visual work, including essays, comics, drawings, paintings, photographs, film stills, scripts, movie blurbs, correspondence, letters of recommendation for his students, documentation of his UFO sightings, excerpts from his dream journal, selections from his private notebooks and much more.

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    27.50 USD

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  • Fabriques du Cinéma Expérimental

    Comment vivent et travaillent, à l' «ère du numérique», les cinéastes expérimentaux? Qu’en est-il de leur attachement à la matérialité de l'objet-film? Quels sont leurs outils, leurs rapports à la création, leurs manières de penser, de fabriquer et d'habiter les images et les sons? Comment financent-ils leurs projets? Quel regard portent-ils sur leur parcours et sur les mutations décisives que connait aujourd'hui le cinéma, y compris «expérimental», envisagé dans sa dimension esthétique, pratique, technique, économique et institutionnelle?

    Entretiens avec Martin Arnold, Frédérique Devaux, Olivier Fouchard, Ken Jacobs, Christian Lebrat, Rose Lowder, Nicolas Rey, Silvi Simon, José Antonio Sistiaga.

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    35 EUR

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  • Exhibited Cinema – Exhibiting artists’ films, video art and moving image

    The aims of this book are twofold: on the one hand, based on archival research, it seeks to identify the status of film and of the moving image in the field of contemporary art in French-speaking Switzerland and abroad; on the other hand, it aims at assessing the influence of exhibition contexts on a multiplicity of film practices (on their temporal aspects, the multiplication of surfaces of projection, the reception by a mobile spectator).

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    30 EUR

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