Best rated

Best rated publications according to the votes of the website's visitors.

 

 

  • Narcisa Hirsch: Experimental Films

    MQ2* is a publishing house specializing in experimental film and video whose main object is the promotion and publication of experimental audiovisual artists.

    In its first publication MQ2* presents a selection of Narcisa Hirsch’s experimental films plus a bilingual book featuring a foreword by Victoria Sayago, a critical text by Emilio Bernini and a text written specifically for this publication by Narcisa herself.

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    Average: 5 (1 vote)

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    50 USD

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  • DADA, Surrealism, and the Cinematic Effect

    This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life.

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    85 USD

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  • Du film performatif

    De nombreuses performances artistiques aujourd’hui se proposent de remplacer le film par son énoncé sous la forme d’une conférence illustrée ou d’une lecture. Des fragments d’un film à venir (photographies, documents, fragments de scénario) sont présentés en guise du film lui-même. On peut s’interroger sur ces nouveaux formats. De quoi sont-ils le symptôme ? S’agit-il d’un futur performatif du cinéma ?

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    Average: 5 (1 vote)

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    24 EUR

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  • François Miron - Experimental Films 1985-2009

    François Miron began makings films in 1982, working exclusively with emulsion (as in film NOT video) the body of his early work consist of several short experimental films, all created using a powerful film image manipulation technique that he has mastere

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    25.00 USD

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  • Aberration of Light: Dark Chamber Disclosure

    Aberration of Light: Dark Chamber Disclosure is a site-specific live projection performance that was a highlight of this year’s festival (36th Toronto International Film Festival). In the projection booth, Brooklyn-based artists Sandra Gibson and Luís Recoder distilled a found 35mm commercial film print into rich, gorgeous beams of light that danced on the screen, the auditorium walls, and the faces of the rapt, dreamy spectators who filled the theater at the Ontario Gallery of Art. (The movie that was the basis for the work was never identified to the audience, and the artists have never watched it in its entirety.) The introductory movement of the piece is a marvel: tiny lines of white light that were movie credits in a past life shimmer onscreen like sunlight filtering through deep water. Occasionally a half-glimpsed face from the original film surfaces deep within the piece like a mirage in the desert; other moments resemble flashlights dancing through fog. The audio to the piece, created and mixed live in the theater by the Dallas-born contemporary composer Olivia Block, is at once organic and otherworldly. In addition to sounds produced digitally and musically, Block works with sounds she has collected from the world around her. Occasionally, these feel familiar: is that the sound of rushing water? Peeper frogs chirping on a summer night? The plaintive bleat of an alarm? The whir of an airplane about to take off? The pop of distant fireworks? Together, the visual and aural components of Aberration of Light are a symphony of lights and darks, quiets and louds, that are greater in concert then the sum of their parts.” (Livia Bloom, Filmmaker Magazine)

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  • Tutto il cinema di Paolo Gioli

    Paolo Gioli (1942), painter, photographer, filmmaker, for over forty years invents and experiments with a variety of techniques in the field of the pictorial image, photographic and kinetic.

    This 3 DVD collection includes all his works:

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    24,90 EUR

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  • Visionary Film: The American Avant-Garde, 1943-2000

    Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since

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  • Art Cinema

    Debate over cinema’s credibility as an art form is as old as the medium itself, and largely defined in terms of formal, psychological, ideological, social, or auteurist theories. To explore how artists are also using the medium to investigate a wider rang

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    19.99 EUR

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  • The Cinema of Poetry

    Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.

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    29.95 USD

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  • Guy Sherwin - Optical Sound Films (1971/2007)

    Optical Sound Films collects the ongoing work and research of Guy Sherwin, one of the pre-eminent British film artists of the last 40 years in a unique artist’s book and DVD publication.

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    20.00 GBP

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