Andy Warhol was a remarkably prolific filmmaker, creating more than 100 movies and nearly 500 of the film portraits known as Screen Tests. And yet relatively little has been written about this body of work. Warhol withdrew his films from circulation in the early 1970s and it was only after his death in 1987 that they began to be restored and shown again. With “Our Kind of Movie” Douglas Crimp offers the first single-authored book about the full range of Andy Warhol’s films in forty years--and the first since the films were put back into circulation.
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‘You hear it everywhere: Cinema is tipping over – its epic and dramatic forms are spilling over into television, avant-garde and experimental films have fled to the galleries, and all the images that once belonged to it are now available everywhere, anytime. At the Austrian Film Museum, we tend to refrain from such sweeping and simple-minded swan songs. For this very reason, we are honoured to participate in Vertical Cinema – a project committed to taking one step at a time. Instead of trying to tip cinema in its entirety into the digital netherworld, this project is content with just tipping the screen – observing how an artform changes if you respectfully chafe at its edges.’ – Alexander Horwath, Director of the Austrian Film Museum
Framework: The Journal of Cinema and Media vol.56 issue 1 is devoted entirely to the writings of avant-garde artist Warren Sonbert. The journal features reproductions of Sonbert's original typed, handwritten and published documents. The issue is guest edited by Jon Gartenberg and is organized into sections related to Sonbert's interests in art, music, poetry, travel and film.
Acknowledgments and Accreditations
Book + DVD + Magazine
The heart of Friedl Kubelka’s photographic work (who as a filmmaker goes by the name of Friedl vom Gröller) is constituted by portraiture – whether she captures friends, acquaintances, family members, filmmakers, artists or simply clients, each for the most part gazing directly into the camera. Since 1972 to the present, Kubelka has also placed herself in front of the camera for her project Jahresportraits (Year’s Portraits) in which she mercilessly documents the process of aging. It has become the structural credo of Kubelka’s artistic practice to juxtapose the individual photograph with many other photographs.
Ivan Ladislav Galeta from Zagreb is the neo-Platonist among European experimental film directors. Galeta hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame
Alfred Leslie is a pivotal American artist-painter-filmmaker whose work spans the past fifty years. A celebrated contemporary of the Abstract Expressionists and a key figure in the extraordinary social milieu of downtown New York from the 1950s and 60s toAlfred Leslie is a pivotal American artist-painter-filmmaker whose work spans the past fifty years. A celebrated contemporary of the Abstract Expressionists and a key figure in the extraordinary social milieu of downtown New York from the 1950s and 60s to the present, his own canvases were amongst the most revered of his peers. In 1964 he made Pull My Daisy with the photographer Robert Frank and in 1966 collaborated with the inimitable poet Frank O’Hara on The Last Clean Shirt. In 1960 he edited and published the amazing collection of texts and drawings that form the ‘one shot review’ The Hasty Papers – in and of itself a summation of cultural activity with contributions from Allen Ginsberg, John Ashbery and Fidel Castro amongst may others. Leslie dramatically moved away from abstraction to make giant almost hyper-real portraits, the majority of which were destroyed in the now infamous fire that ripped through his studio and its neighbouring blocks on October 17 1966. This utterly devastating event, that completely destroyed paintings, films and manuscripts, continues to inform his work today.
REWIND + PLAY presents a selection of key works from the first decade of artist’s video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.
Dietmar Brehm's Praxis series is driven by a spirit of enterprise that is clearly palpable: Since 1974 Brehm has been sensuously modulating his private iconography in ever new variations, ceaselessly engaged with his ever growing image and sound archive, withdrawn into the interior of an infernal fantasy. There is no posturing behind his cool treatment of the disquieting signs in his work, but rather ennui, a loner life, solipsism. Dietmar Brehm orchestrates implosions and idling states. He could be seen as the representative of a telephone-game art movement: His work is post avant-garde, post-narrative, post-surreal, post-pornographic and post-psychoanalytic; it appears like an extra entry in the annals of a long since shelved cultural history, like a last ditch effort of art after the end of time. - (Stefan Grissemann)
DVD with 6 short films by the Robert Todd.
DVD/Blu-Ray combo with the film 'Anticipation of the Night' by Stan Brakhage
“The great achievement of Anticipation of the Night is the distillation of an intense and complex interior crisis into an orchestration of sights and associa- tions which cohere in a new formal rhetoric of camera movement and montage.” -P. Adams Sitney