Calls for entries

  • Underneath the Floorboards 2018 Call for Entries

    By on

    Underneath the Floorboards is an experimental film festival, held in London buzzing artistic area of Hackney, where everything that is non-linear and not of a traditional narrative will be considered.

    No bias, no prejudice if you didn't study in the most prestigious art schools, we don't care, we just want to see work that is of an artistic nature and that creates an interesting language of its own. We also except animation and experimental documentaries.

    Deadline: 

    Wednesday, September 5, 2018 (All day)
  • November Film Festival 2018 Call for Entries

    By on

    Submissions are now open for the second edition of the November Film Festival, to take place 22-25 November 2018 at the Close-Up Film Centre in London.

    Send us your films before the 15 June!

    We welcome single channel film and video works from within the fields of experimental and essay film, artists' moving image and media art, as well as documentary, ethnographic and narrative films that seek to expand, redefine or reconfigure the means and ends of their respective fields.

    There are no restrictions on length or premiere status.

    Deadline: 

    Friday, June 15, 2018 (All day)
  • Berwick Film & Media Arts Festival 2018: Call for Entries

    By on

    The deadline for entries to Berwick Film & Media Arts Festival 2018 is 1st May. We’re looking for resolutely contemporary films that transgress restraints of genre, capital and expectation. BFMAF presents artists’ and filmmakers’ work in the cinema as well as expanded formats of exhibition and performance.

    Entries under 60min will be considered for the Berwick New Cinema Award and a £1000 prize.

    Category: 

  • Horn Experimental Film Festival 2018 - Call for submissions

    By on

    For three days in July, a unique festival dedicated to new experimental cinema will be held in Jerusalem. 'Horn' aims to bring exposure to convention-defying films. We are searching for inspiring and innovative films of different cinematic forms (documentary, narrative, animation, video art) that disregard common methods of film making.

    Prizes will be awarded to three selected films.

    Deadline: 

    Friday, June 1, 2018 (All day)
  • WNDX Festival of Moving Image 2018 Call for Submissions

    By on

    WNDX seeks new Canadian and international films and videos for our next edition, to be held in October 2018. WNDX pays special attention to the most innovative and ground-breaking works created by moving image artists. In the past, WNDX has featured spotlights on Crispin Glover, Martha Colburn, Richard Tuohy, Guy Maddin, Joyce Wieland, George Kuchar, Steve Reinke, Barbara Sternberg, Phil Hoffman, John Price and Michael Snow, a well as the work of the Loop Collective.

    Deadline: 

    Friday, June 1, 2018 (All day)
  • Open City Documentary Festival 2018 Call for Entries

    By on

    The deadline for submissions for Open City Documentary Festival 2018 is May 7th. We're looking for the most exciting and innovative non-fiction storytelling in short, mid-length and feature length documentaries as well as cross-platform projects.

    Deadline: 

    Monday, May 7, 2018 (All day)
  • III Moscow International Experimental Film Festival. Call for Submissions 2018

    By on

    MIEFF was established with a strong aspiration to create a new cultural institution that would provide a presentable and close look at a wide range of experimental practices with the moving image. This approach allows to pay exclusive and thorough attention to the talents that might have previously been overlooked by the vast number of conventional film festivals which only spare a small corner for experimental categories within their programmes.

    Deadline: 

    Sunday, July 1, 2018 (All day)
  • Fracto 2018 Call for Submissions

    By on

    "The apparatus as an eccentric performer within the film.”

    FRACTO festival seeks to reflect upon the techno-attitude that directs film towards the demands of its apparatus, constantly floating as a supreme and fragmented perceptual eye. In this configuration perceptual contingency is ultimately conceived as a totalizing, post-organic point of view—seemingly seeking primarily itself—instead of folding in on specific meanings conveyed by a clear distance from medium.

    Deadline: 

    Tuesday, April 10, 2018 (All day)

Pages