Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923-1991) was among the most original creative forces in postwar American art and culture, yet his life and work re
A l'occasion d'un séminaire à l'école de l'Art Institute of Chicago, en 1970-71, le cinéaste commente l'oeuvre de grands noms du cinéma : Georges Méliès, David W. Griffith, Carl Th. Dreyer, et Sergueï Eisenstein. Le temps de quatre biographies poétiques,
In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, an
Views from Lookout Mountain is the first book to survey the films and visual art works of one of Los Angeles' most exceptional artists.
A History of Swedish Experimental Film Culture: From Early Animation to Video Art is the first scholarly book to be published on the history of Swedish experimental film. It represents the result of a research project funded by the Swedish Research Counci
Without J.X. Williams, the face of contemporary cinema would not be the same. His shadowy influence turns up in Tarantino, Scorsese, Kubrick, and even Godard again and again like a bad penny. Despite the best efforts of Hollywood to keep its most notoriou
En el contexto de los nuevos medias y la cultura del remix, ubicado en un paisaje esculpido por los procesos de participación e interactividad, intermedialidad e interdisciplinariedad, hiperrealidad y realidad ampliada, surge el VJing como dispositivo dir
Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look at and think about moving images. He is part of the permanent collections at MoMA and the Whitney, and his work has been celebrated in Europe and the U.S. While his importance is well-recognized, this is the first volume dedicated entirely to him.
American independent filmmaker Stan VanDerBeek (1927-1984) was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed "Expanded Cinema."
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