@article {expcin15984, title = {As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s}, year = {2010}, pages = {259 pp}, publisher = {Museum of Modern Art Warsaw}, address = {Warsaw}, abstract = {

In the late 1960s and {\textquoteright}70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. The book follows the show "As Soon As I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s", Museum of Modern Art in Warsaw, April 24-June 22 2008.

}, keywords = {Antifilm, Yugoslavian Cinema}, isbn = {9788392404439}, author = {Ana Janevski and Stevan Vukovi{\'c} and {\L}ukasz Ronduda and Goran Trbuljak and Hrvoje Turkovi{\'c} and Mihovil Pansini and Slobodan {\v S}ijan and {\v Z}elimir {\v Z}ilnik and Branko Vu{\v c}i{\v c}evi{\'c} and P.Adams Sitney} } @article {expcin15985, title = {This Is All Film: Experimental Film in Yugoslavia 1951-1991 / Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991}, year = {2010}, pages = {154 pp}, publisher = {Museum of Modern Art Ljubljana}, address = {Ljubljana}, abstract = {

On the occasion of the exhibtion at the Moderna galerija, Museum of Modern Art, Ljubljana, 22. 12. 2010-28. 2. 2011

}, keywords = {Yugoslavian Cinema}, isbn = {9789612060909}, author = {Bojana Pi{\v s}kur and Tamara Soban and Ana Janevski and Jurij Meden and Miha Pe{\v c}e and Stevan Vukovi{\'c}} } @book {expcin15983, title = {mm2: Experimental Film in the Netherlands since 1960}, year = {2004}, pages = {286 pp}, publisher = {Filmbank, Uitgeverij de Balie}, organization = {Filmbank, Uitgeverij de Balie}, address = {Amsterdam}, abstract = {

mm2 presents an overall picture of experimental film in the Netherlands since 1960. Each and every film mentioned is an expression of an inquiring mentality that, for each film convention, poses the question whether or not it can be done differently. The book contains a historical review, sixteen extensive interviews with authoritative experimental filmmakers and more than a hundred filmographies. Issued with a DVD entitled "Cadavre exquis : le cadvre exquis verra le film nouveau", a documentary film directed by Anna Abrahams and produced by Rongwrong. The film includes interviews with several experimental filmmakers as well as excerpts of their work.

}, keywords = {Dutch Film}, isbn = {9789066173064}, author = {Anna Abrahams and Mariska Graveland and Peter van Hoof and Erwin van {\textquoteleft}t Hart} } @book {expcin15994, title = {Experimental Cinema: The Film Reader}, year = {2002}, pages = {356 pp}, publisher = {Routledge}, organization = {Routledge}, address = {New York/London}, abstract = {

Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.

}, keywords = {Agn{\`e}s Varda, Andy Warhol, Barbara Hammer, Black cinema, Carolee Schneemann, Chantal Akerman, Female cinema, Gay cinema, Germaine Dulac, Hollis Frampton, Jack Smith, Kenneth Anger, Maya Deren, Michael Snow, Stan Brakhage, Su Friedrich, Trinh T. Minh-ha, Warren Sonbert, Yoko Ono}, isbn = {9780415277877}, author = {Jan-Christopher Horak and Jonas Mekas and Lauren Rabinovitz and Agn{\`e}s Varda and Juan Antonio Su{\'a}rez and Suranjan Ganguly and Jerry Tartaglia and Kate Haug and Reva Wolf and Daryl Chin and Yoko Ono and P.Adams Sitney and Scott MacDonald and Philip Lopate and David Ehrenstein and Peter Gidal and Chris Holmlund and Gloria J. Gibson and Kobena Mercer}, editor = {Wheeler Winston-Dixon and Gwendolyn Audrey Foster} } @book {expcin15992, title = {Teorija {\v c}eske avangarde 1908-1937}, year = {1987}, pages = {86 pp}, publisher = {Institut za film}, organization = {Institut za film}, address = {Belgrade}, abstract = {

Anthology of Czech texts about avant-garde film.

}, keywords = {Czech Cinema}, url = {https://monoskop.org/images/8/82/Andjel_Stanivuk_ur_Teorija_ceske_avangarde_1908-1937.pdf}, author = {Jaroslav Andjel and Vaclav Tile and Karel Capek and Jo{\v z}ef Capek and Franti{\v s}ek Langer and Jan Mukar{\v z}ovski and Roman Jakobson and Milo{\v s} Vajngart and Emil Franti{\v s}ek Burijan and Vladislav Vancura and Jind{\v z}ih Honzl}, editor = {Jaroslav Andjel and Ljubica Stanivuk} } @article {expcin15973, title = {Het Experiment in de Nederlandse Film}, year = {1985}, pages = {36 pp}, publisher = {Stedelijk Museum Amsterdam}, address = {Amsterdam}, abstract = {

On Babeth, Matthijs Blonk, Mari Boeyen, Marinus Boezem, Ben van Bussche, Michel Cardena, Jan Dibbets, Ger van Elk, Sander Francken, Andreas Hamelberg, Noud Heerkens, Nan Hoover, Gredrieke Jochems, Jan Ketelaars, Johan van der Keuken, Christine Koenigs, Claudia K{\"o}lgen, Wierd Kramer, Eric de Kuyper, Wim van der Linden, Edward Luyken, Marijn Maris, Barbara Meter, Paul de Mol, Ruud Monster, Jan van Munster, Paul de Nooijer, Henri Plaat, Mattijn Seip, Daniel Singelenberg, Frans van de Staak, Bart Vegter, Willem Veldhoven, Jacques Verbeek \& Karin Wiertz, Dick Verdult, Alex Vermeulen and Frans Zwartjes.

}, keywords = {Alex Vermeulen, Andreas Hamelberg, Babeth, Barbara Meter, Bart Vegter, Ben van Bussche, Christine Koenigs, Claudia K{\"o}lgen, Daniel Singelenberg, Dick Verdult, Dutch Film, Edward Luyken, Eric de Kuyper, Frans van de Staak, Frans Zwartjes, Ger van Elk, Gredrieke Jochems, Henri Plaat, Jacques Verbeek \& Karin Wiertz, Jan Dibbets, Jan Ketelaars, Jan van Munster, Johan van der Keuken, Mari Boeyen, Marijn Maris, Marinus Boezem, Matthijs Blonk, Mattijn Seip, Michel Cardena, Nan Hoover, Noud Heerkens, Paul de Nooijer, Ruud Monster, Sander Francken, Wierd Kramer, Willem Veldhoven, Wim van der Linden}, author = {Paul de Mol and Nelly Voorhuis and Hendrik Driessen} } @book {expcin16080, title = {Film as a Subversive Art}, year = {1974}, pages = {336 pp}, publisher = {C. T. Editions}, organization = {C. T. Editions}, isbn = {9780394490786}, url = {https://monoskop.org/images/8/87/Vogel_Amos_Film_as_a_Subversive_Art.pdf}, author = {Amos Vogel} } @book {expcin16021, title = {Cinema now 1: Perspectives on American underground film: Stan Brakhage, John Cage, Jonas Mekas, Stan Vanderbeek}, year = {1968}, pages = {28 pp}, publisher = {University of Cincinnati}, organization = {University of Cincinnati}, address = {Cincinnati}, abstract = {

Transcript of a discussion among filmmakers and members of the Film as Art and Communication class at the University of Cincinnati, which took place in April 1967.

}, keywords = {American Cinema, John Cage, Jonas Mekas, Stan Brakhage, Stan VanDerBeek}, author = {Stan Brakhage and Jonas Mekas and John Cage and Stan VanDerBeek}, editor = {Hector Currie and Michael Porte} } @book {expcin16104, title = {Avangardni film 1895-1939}, pages = {159 \& 63 pp}, publisher = {Radionica SIC}, organization = {Radionica SIC}, address = {Belgrade}, abstract = {

Collection of writings on avant-garde film by authors like Apollinaire, Ruttman, Ray, Picabia, Sitney, Michelson, Vigo, etc.

}, editor = {Branko Vu{\v c}i{\v c}evi{\'c}} }