Últimas noticias

  • Aula Xcèntric 2017: Radicales libres. Una aproximación al cine experimental

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    Existe un cine visionario, personal, realizado con pocos medios y al margen de la industria, que rompe con los códigos narrativos tradicionales para explorar nuevas vías de expresión y dialoga la pintura o la música o se centra en la propia materia del cine para expandir sus posibilidades. Se trata del llamado cine de vanguardia o experimental, al que Xcèntric lleva más de quince años dando luz.

    Fechas: 

    Martes, Noviembre 7, 2017 - De 18:30 hasta 20:00
    Martes, Noviembre 14, 2017 - De 18:30 hasta 20:00
    Martes, Noviembre 21, 2017 - De 18:30 hasta 20:00
    Martes, Noviembre 28, 2017 - De 18:30 hasta 20:00
    Martes, Diciembre 5, 2017 - De 18:30 hasta 20:00
    Martes, Diciembre 12, 2017 - De 18:30 hasta 20:00
    Martes, Diciembre 19, 2017 - De 18:30 hasta 20:00

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  • Experimenta India 2017 Call for Submissions

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    Experimenta, the international festival of moving image art in India, celebrates its 10th edition. Experimenta 2017 seeks artist’s films and videos that challenge conventional modes of cinema. Abstract to obscure compositions that extend the parameters of genre and form are welcome.

    Fecha límite: 

    Martes, Agosto 1, 2017 (Todo el día)
  • Cineinfinito #18: Edward Owens

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    A mediados de los años sesenta, Edward Owens era un adolescente afroamericano que asistía al Art Institute de Chicago cuando Gregory Markopoulos llegó para crear el programa de cine de la escuela. Owens, que estudiaba entonces pintura y escultura, ya llevaba haciendo películas de 8 mm desde hacía algunos años; impresionado por la madurez de su trabajo, Markopoulos le animó a mudarse a Nueva York. Owens llegó a Manhattan en 1966 con Markopoulos, que rápidamente lo introdujo en el mundo de la cultura de las clases marginales de la ciudad, presentándolo a figuras como Andy Warhol, Gerard Malanga, Marie Menken, Gregory Battcock y el cineasta poeta Charles Boultenhouse. Pronto, Owens inició una relación con Boultenhouse, y se trasladó al apartamento del West Village donde Boultenhouse ya vivía con quien era su amante desde hacía muchas décadas, el legendario crítico Parker Tyler, quien aceptó el arreglo.

    Fechas: 

    Jueves, Julio 27, 2017 - 16:30

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  • Summer of Love Experiments: Perceptual Expansion

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    The Summer of Love. Los Angeles Filmforum commemorates the 50th anniversary of the radical cultural upheaval with an assortment of mind-blowing (as intended) short underground films. These films used a variety of tactics to manifest or assist with perceptual expansion and experience found in sex, drugs, music, and art.  Some pursue idea of psychedelia (Third Eye Butterfly; Doppler Effect: Version II) others express openness in sexuality (Fuses); and others try to capture some of the spirit of group revelry, drug-taking and celebration (Letter to D.H.

    Fechas: 

    Domingo, Julio 16, 2017 - 19:30

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  • Zero to Twenty and back to Zero: “Zero” a feature 16mm film by James Fotopoulos

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    Microscope is excited to present a screening of James Fotopoulos’ first feature film ‘’Zero” in its original format on the occasion of its 20th anniversary, introduced by Bradley Eros who along with Brian Frye presented the work in its first “real screening” in the US on November 21, 2000 at the Robert Beck Memorial Cinema (RBMC), which took place  the Lower East Side space Collective Unconscious.

    Fechas: 

    Viernes, Julio 14, 2017 - 19:30

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  • Canyon Cinema 50: Love, Light & Lyrical Eroticism

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    1967 was the year that the Canyon Cinema Co-op was born in San Francisco. Formed as a  distribution cooperative for films made by members, it grew out of the itinerant Canyon Cinema formed a few years earlier by a loose association of Bay Area artist-filmmakers. The Canyon Co-Op was the west coast’s contribution to a growing international network for showing and seeing films that fell outside the bounds of polite manners, censors’ approval, and art-world decorum.

    Fechas: 

    Viernes, Julio 14, 2017 - 19:00

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  • Framework - Call for entries

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    By definition, framework can be voiced in a number of ways: Buildings are constructed with a skeletal structure, multiple units come together to form a whole, foundations or moral infrastructure can be defined, subjects can be arranged within a frame, and framing itself can be the emphasis. Gilded Pear Gallery seeks artist’s submissions that best exemplify the nature of Framework according to their own commentary and vocabulary.​

    All emerging and professional artists 18 and over, living in the United States and Canada, may apply. Open to all two- and three-dimensional mediums as well as video media.

    Fecha límite: 

    Viernes, Julio 28, 2017 - 12:00

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