These histories of masks begin with the nocturnal visit to the National Museum of Ethnology in the Netherlands filmed by Max de Haas in 1950 in Maskerage, impeccable on its form (first film score by Pierre Schaeffer), questionable on the content (colonialist hints) and ends with the sublime images shot in Mexico by Eisenstein during the Day of the Dead.
Between these two glances on the mask, some incarnations, simulacra and dissimulations, more or less serious games in which exhibition, grotesque and primitive violence are mixed.
Programme:
Fechas:
De Miércoles, Febrero 14, 2018 - 18:00 hasta Jueves, Febrero 15, 2018 - 17:55
La versatilidad instrumental de Anthony Moore le sitúa entre los contextos de la vanguardia más minimalista y los de la música popular más progresiva. Werner Nekes, Dore O. y Klaus Wyborny son tres de los cineastas alemanes con los que colaboró creando músicas para sus filmaciones. Las tres piezas musicales que se pueden escuchar en esta sesión mantienen cadencias profundamente repetitivas, pausadas, extáticas e hipnóticas.
Inspired by America’s next generation, Oscillation Transia is an educational program in service of the environment, solar energy, and community culture. The film festival celebrates sustainability by hosting low-impact film screenings throughout America’s diverse natural landscape using only renewable solar energy, and traveling the United States with a leave-no-trace perspective.
Julie Murray es una cineasta de origen irlandés que vive en los EE. UU. Ha trabajado en el cine experimental desde la década de 1980 y hasta la fecha ha realizado muchos trabajos en súper 8, 16 mm y video. Sus películas se encuentran en numerosas colecciones de museos y filmotecas y las copias de 16 mm de sus películas las distribuye Canyon Cinema en los Estados Unidos y Light Cone en Francia.
Over the past 15 years, British artist, filmmaker and musician Luke Fowler has developed a practice that is, at the same time, singular and collaborative, poetic and political, structural and documentary, archival and deeply human. With an emphasis on communities of people, outward thinkers and the history of the left, his 16mm films tell the stories of alternative movements in Britain, from psychiatry to photography to music to education.
