Etiquetas: Takahiko Iimura

Contenido etiquetado

Emotional Materials/Personal Processes - Six Interviews with Experimental Filmmakers
“This handful of interviews originated at A Coruña’s (S8) Mostra de Cinema Periférico. In 2012 the festival directors asked me to accompany Peter Kubelka during his time at the festival, which led to my first interview. It was a great pleasure to talk with a legendary figure of experimental cinema whom I had included, thirteen years earlier, in An Introduction to Experimental Film Classics 1945-1990, an exhibition catalogue that marked the Galician, and for the most part Spanish premieres of many experimental films formerly known only through written references.
Valoración:

Promedio: 3 (2 votos)
Categoría:
Libros
Editor:
STEREOEDITIONS
SCREENING LAV #06

By LAV on Mié, 15/09/2021 - 03:57

SCREENING LAV #06PLAYBOY NYMPHO BABY DOLL

“Mientras follamos siento que toda mi historia política, que todos mis años de feminismo avanzan directamente hacia el centro de su cuerpo, se derraman sobre ella como encontrando en su piel su verdadera y única playa. Mientras me corro encima, borbotean a mi lado Wittig y Davis, Woolf y Solanas, la Pasionaria y Kate Bornstein. Ella está cubierta de mi feminismo como por una eyaculación fina, como por un océano de purpurina política.” (Testo Yonki. Paul B. Preciado).
Fechas:
Sábado, Septiembre 25, 2021 - 21:00
Local:
Círculo de Bellas Artes - Madrid, España
Eye on Art: Japanese Expanded Cinema

By Marcos Ortega on Lun, 06/09/2021 - 10:37

During the 1960s and 1970s, Japanese filmmakers and artists disrupted the status quo with happenings, performances, events and political protests. The boundaries of art film were also expanded considerably. Julian Ross, an expert on the Japanese avantgarde, will talk about this underexposed history.
Fechas:
Martes, Septiembre 14, 2021 - 19:15
Local:
Eye Film Institute - Amsterdam, Países Bajos
Personal Cinema: Takahiko Iimura

By Marcos Ortega on Vie, 02/07/2021 - 04:27

Takahiko Iimura is a Japanese experimental filmmaker who has been a pioneer of cinematic form since the early 1960s. This screening is a retrospective spanning 30 years of his work, from 1962 to 1993. Takahiko defines his own career as having three distinct phases, all represented in this screening -- His early, “imagist” films depicting concrete imagery, scenario, performance - such as Ai (Love) (with original score by Yoko Ono), and Onan.
Fechas:
Viernes, Julio 16, 2021 - 20:00
Local:
Le Petit Versailles Garden - Nueva York, Estados Unidos
Zin Ex. De la abstracción al algoritmo

By Marcos Ortega on Sáb, 12/09/2020 - 05:49

Si revisamos sus cien años de trayectoria, veremos que el cine experimental ha desafiado rigurosamente las convenciones cinematográficas. Para ir más allá de contar historias, los artistas y directores de cine han examinado las condiciones materiales de su medio, tales como la luz, el movimiento, el celuloide y, tras la llegada de la televisión y el vídeo, las señales electrónicas.
Fechas:
De Viernes, Septiembre 11, 2020 (Todo el día) hasta Domingo, Enero 31, 2021 (Todo el día)
Local:
Tabakalera - San Sebastián, España
Sudden Outbreaks #1-4 / Japanese Experimental Cinema

By Marcos Ortega on Mar, 12/11/2019 - 11:33

A collaboration between Bozar and Cinema Parenthèse, this series of four events focuses on pioneering and prominent Japanese filmmakers and artists whose work has rarely, if at all, been shown in Belgium before. The programmes seek to present a wide range of audacious filmic practices with bold formal experimentation married to lyrical styles in works that lie on the margins of visual culture during the 1960s, 70s and 80s.
Fechas:
De Sábado, Noviembre 23, 2019 (Todo el día) hasta Domingo, Noviembre 24, 2019 (Todo el día)
Local:
Bozar Cinema (Centre For Fine Arts) - Bruxelles, Bélgica
pic.london festival

By Marcos Ortega on Lun, 16/10/2017 - 16:19

As part of their inaugural festival, pic.london presents a two-day film programme exploring the relationship between still and moving images. Beginning with film’s infancy at the end of the 19th Century – through the 1960s avant-garde – this programme investigates the ways in which artists and theorists have engaged the moving image to develop, challenge and critique photographic language.
Fechas:
De Sábado, Octubre 28, 2017 (Todo el día) hasta Domingo, Octubre 29, 2017 (Todo el día)
Local:
Close-Up Cinema - London, Reino Unido
Video Writings by Artists (1970-1990)
Art theory has always had a major component in writing, or the illustration of the artists’ own ideas around their trajectory and working methods. To be more specific, writing has been a way for artists to ponder on their own activity, to identify certain trends they felt close to, to articulate a reflection on a given medium and challenge preconceived ideas.
Valoración:

Promedio: 3.5 (10 votos)
Categoría:
Libros
Editor:
Mousse Publishing
EXPRMNTL 1963 – Japanese Experimental Film in Blossom

By Marcos Ortega on Vie, 03/03/2017 - 03:23

In 1949, the peaceful seaside resort of Knokke Le Zoute in Belgium staged an ambitious avant-garde film movement. Organized by the Royal Belgian Film Archive, the Experimental Film Festival “EXPRMNTL” drew worldwide cultural attention, with a prestigious prize awarded with the financial help of a local casino. Until its final edition in 1974, the festival was only held five times.
Fechas:
De Viernes, Marzo 24, 2017 - 18:00 hasta Sábado, Marzo 25, 2017 - 17:55
Local:
Intermediatheque - Tokyo, Japón
Dreamlands: Expanded - Takahiko Iimura / Joel Schlemowitz

By Marcos Ortega on Mié, 16/11/2016 - 10:39

The 1981 performance “Circle and Square” by Takahiko Iimura, New York-based Japanese film and video pioneer, evolved from the artist’s interest in exposing the apparatus of projection and the materiality of image and light begun in the mid-60s. The work commences with the projection of a long loop of black 16mm film leader suspended from the ceiling. The artist punches a hole on the film’s surface and as it loops through the projector’s gate, a single white circle of light pierces the darkness. With each subsequent punch the film builds before the viewer’s eyes into a cascade of white circles before reaching its abrupt and revelatory conclusion.

Fechas:
Viernes, Noviembre 18, 2016 - 19:30
Local:
Microscope Gallery - Nueva York, Estados Unidos