Etiquetas: EMAF

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European Media Art Festival (EMAF): Programme Online Now!

By Marcos Ortega on Jue, 11/04/2024 - 02:26
Feelers, Sensors – the EMAF 2024 thematic focus explores the role that sensory perception plays in the human and non-human experience of the world, and how a technologically enhanced sensorium is changing our orientation and interaction in the world: making the world shareable and communicable in a different way. It is curated by Jamie Crewe, Inga Seidler, Oraib Toukan, and Anna Zett.
Categoría:
Eventos
European Media Art Festival (EMAF): Call for Entries

By Marcos Ortega on Jue, 21/09/2023 - 10:46

Media artists from all over the world can submit their works now for the European Media Art Festival 2024. The online platform https://emaf.filmchief.com/entry-forms is now open.
Submission fees:
Convocatoria gratuita
Fecha límite:
Domingo, Enero 7, 2024 (Todo el día)
34th European Media Art Festival - Call for Entries

By Marcos Ortega on Mié, 23/09/2020 - 08:02

The Call for Entries for 34th European Media Art Festival is openDeadline: 31 December 2020

Films, videos, installations and performance projects or expanded media works – we look forward to receiving your entries for European Media Art Festival No. 34!

The festival takes place from 21 to 25 April 2021. For five days, Osnabrück will become an international and trend-setting platform for media art and a meeting place for artists, curators, gallerists and students. The exhibition at Kunsthalle Osnabrück will be on view until 30 May 2021.
Fecha límite:
Jueves, Diciembre 31, 2020 (Todo el día)
EMAF 2010

By Marcos Ortega on Vie, 30/10/2009 - 18:12
European Media Art Festival Osnabrueck
21 - 25 April 2010
21 April - 23 May 2010

// Call For Entries
// We would like to invite you to submit your contributions to participate in the EMAF by 15 December 2009
// Infos and application documents for your project can be found at www.emaf.de

The motto of the 2010 festival is MASH UP, reflected in film programmes, lectures and specials.

Today, the reinterpretation and re-coding of media content, works of art and music take place in popular culture and art alike. In the process, mashing up citations and references evolves into the aesthetic, satirical and subversive stylistic device, where it also infringes on the rights of third parties.
Categoría:
Convocatorias