Etiquetas: David Wharry

Contenido etiquetado

Schismogenesis – Steps Toward a History of French Experimental Film

By Andrea on Jue, 24/05/2018 - 04:13

Microscope is very pleased to welcome back Paris-based, Italian curator Enrico Camporesi to the gallery with a new program of 16mm experimental films, Schismogenesis – Steps Toward a History of French Experimental Film. The evening includes a selection of works by three members of the Cooperative des cinéastes (Paris, 1976-1978) Martine Rousset, Patrice Kirchhofer, and David Wharry that have rarely, if ever, screened in the US. All films will be shown in their original format.

Fechas:
Domingo, Mayo 27, 2018 - 19:30
Local:
Microscope Gallery - Nueva York, Estados Unidos
Microscope Gallery: Paris-New York

By Marcos Ortega on Jue, 06/10/2016 - 03:29

Microscope Gallery is very pleased to welcome curator Enrico Camporesi back to the gallery to kick-off the 2016-17 Season of its Event Series with a program of rarely seen historical 16mm films made between 1960 and 1980 by artists Noël Burch, Jakobois, Etienne O’Leary, and David Wharry.

With this program Camporesi, an Italian researcher based in Paris, continues to focus on the French “experimental” or “artist” films of the period from the viewpoint of their special relationship to artists and works from the US and Canada. Camporesi will be in attendance to introduce the 55-minute screening.

Fechas:
Lunes, Octubre 10, 2016 - 19:30
Local:
Microscope Gallery - Nueva York, Estados Unidos
Paris, 1980s: Deconstructed Narratives and Late Formalisms

By Anonymous on Sáb, 08/11/2014 - 03:31

Microscope Gallery is very pleased to welcome back Paris-based curator and researcher Enrico Camporesi for a second survey of 16mm films selected from the Light Cone collection (Paris). The evening includes works by Jean-Pierre Bertrand, David Wharry, Unglee, Jakobois, and Téo Hernandez that have rarely, if ever, screened in the US.

This program gathers five films from the early 1980s, and wishes to present an overview of a diverse variety of artistic practices of the time. Ideally the works presented in the program revolve around two main axes: narrative and form. At first the importance of 'structural' filmmaking can still be witnessed. The inquiry into the specific properties of film is developed both in an unconscious, indirect way (as in The Diamon'd by conceptual artist Jean-Pierre Bertrand) or else dismantled with sense of humor (as in the work of Jakobois). Narrative, in its deconstructed configuration, is at the core of the works by Unglee and David Wharry, the two of them openly playing with genre codes and tropes (science-fiction and mystery).

Fechas:
Jueves, Noviembre 13, 2014 - 19:30
Local:
MICROSCOPE GALLERY (previous) - Nueva York, Estados Unidos
Rewriting Film History, Reinventing Film Apparatus

By Anonymous on Mar, 03/06/2014 - 15:37

Microscope is very pleased to present Rewriting Film History, Reinventing Film Apparatus a program of 16mm films curated by Enrico Camporesi. The evening includes historical and more recent works by Jean-Michel Bouhours, Werner Nekes, David Wharry, Mary Helena Clark, Ernst Schimdt Jr., and Peter Miller that have rarely, if ever, screened in the US, and coming from the Light Cone Collection (Paris). Enrico Camporesi's description of the show follows: The notion of rewriting film history has constantly haunted moving image production. In the same way, challenging the basic cinematographic apparatus (the screen, the projection, etc.) has been a crucial issue in avant-garde filmmaking. The program seeks to explore the diverse strategies that have been adopted by experimental and avant-garde filmmakers in order to investigate such themes. The films are selected from the collection of Light Cone, the main European distributor for experimental and avant-garde films, and have been rarely (if ever) screened in the United States.

Fechas:
De Sábado, Junio 7, 2014 - 19:00 hasta Domingo, Junio 8, 2014 - 18:55
Local:
MICROSCOPE GALLERY (previous) - Nueva York, Estados Unidos
Oporto apresenta #25: Phaeton

By Marcos Ortega on Mar, 18/10/2011 - 15:15
Oporto apresenta #25: Phaeton
Friday, October 21, 2011, 22:30h
Oporto, Salvador Correia de Sá, 42, 2 frente, 1200-399 Lisboa

"Phaeton" by David Wharry
16mm film, b&w,sound, 7' 25, 1978
With the presence of the author

When a screen gets in contact with David Wharry`s films, it becomes a photosensitive membrane that, like an "Optogram" (an image imprinted on the retina), registers the surrounding action. The screen works, then, as a memory mechanism, a record of Wharry's actions, unveiling the inner-senses of his humorous cinematic charades.

It was in the late seventies that the author created "General Picture", a series of episodes built from the rubble of “noir” and mystery films. This body of work is a bright and mysterious plot on the foundations of the moving image. “Phæton” is one of the few episodes of "General Picture" which can be viewed independently. In this short film, Wharry makes us focus on the space between the retina and the eyelid to reveal the origin of the image and the birth of the otherness.

"Behind and beyond the eyelid" - Alexandre Estrela
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Eventos