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In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, an
Born in Lithuania in 1922, Jonas Mekas has made over 80 films, videos and installations since his arrival in New York in 1949. Each piece is inventoried and accompanied by an image, a list of public collections and distributors, the technical data and one or several short texts summarizing the content of the work.
Filmmaker, painter, anthropologist, musicologist and occultist--Harry Smith (1923-1991) was an incomparable polymath and seminal figure in the realms of beat culture and avant-garde art. Smith's kaleidoscopic experimental films have influenced generations of artists and cinephiles, while his landmark three-volume compilation, the Anthology of American Folk Music (1952), laid the foundation for the folk music revival of the 1950s and 1960s.
DVD featuring a feature and 3 short films from the inimitable Igor and Ivan Buharov
Storm De Hirsch began publishing poetry and art criticism in American little magazines in the 1950s. Her work arrived in the vacuum of American postwar poetry and with no clear affiliation. It was on the periphery of the east coast Beat movement, engaging punctuative declarations, onomatopoeia, chorus repetitions and sensual, ornithological and Cabalistic imagery. De Hirsch’s poems are shamanistic, bearing properties of the magic ritual and incantation, and her mysticism as well as her passions for new forms led her in the visionary direction of the New American Cinema.
The American artist Kevin Jerome Everson has created a remarkable body of moving image work that co-exists within film and art exhibition contexts. With a sense of place and history, his films, shot primarily on 16mm, combine scripted and documentary moments with touches of formalism. The focus is on craft and duration, and the gestures and tasks caused by certain physical and socio-economic conditions in the lives, labour and leisure of working-class Black Americans and people of African descent.
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation?
This work is based on some excerpts of the film "Instabile Materie" which I realized in 1995. Sorce material were handprocessed 16mm film stripes which I covered with chemicals. In this so called "chemograms" the used substances mostly salts became moulding shapes. Years later I digitized parts of the film frame by frame in high resolution and started with the computer to slow down the speed just to analyse the sequence of events. So arose a morphology of the film emulsion with the embeded substances and a bizarre, strange world full of magic revealed.
The original, first ever Peripheral Produce release that features a compilation of twelve experimental films and videos by Negativland, Russ Forster, Miranda July, Animal Charm, Scott Arford, Vanessa Renwick, Matt McCormick, the Olympia Film Ranch, Bryan
Five absurd experimental shorts on this self-titled offering from the Chicago based media collective Animal Charm (aka Jim Fetterly and Rich Bott). Feel the warm with these mesmerizing and enchanting videos in your home or office; perfect for barbecues or
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