In times of ever-present cameras and a constant stream of seemingly self-propagating moving images we have become accustomed to a mediatized experience of reality, where time and space lose their coordinates. Exceeding an entirely negative conception of today’s perceptual landscape, how can the reconfiguration of audiovisual media and technologies therein be a productive foundation for new means of ever-changing and heterogeneous narratives? How can this landscape be reflected, dissolved or disrupted in film itself? What are the appropriate means of sorting and resetting these influences, and what – if any – other modes of representation emerge between mere categories of newness and obsolescence, documentary, fictional, poetic, latent or evident imagery?
Entrants may submit an unlimited number of works with the maximum length of 30 min each via private link with password. Complete an entry form for each title submitted. Your films must have been completed after 1 January 2015. All formats will be accepted including super8, 16mm and 35mm. It is not necessary to include still photos with the entries. Do not send us DVDs or any hard drives. Entrants will be notified of results on May 1, 2017.