The Chicago Film Society is excited to announce programming for the second edition of Celluloid Now: another four days of screenings, workshops, and related events showcasing the work of analog filmmakers and artists alongside archival rediscoveries and restorations. The full program can be found at https://celluloidnow.org/2023-program/
Dates:
Thursday, September 21, 2023 (All day) to Sunday, September 24, 2023 (All day)
VISIONS, in collaboration with Film POP, presents a double programme with Alee Peoples at la lumière collective on the 7th of September 2023!
Digital and 16mm projection | Artist in attendance | @ la lumière collectiveDoors:18h30
19H : WATCH YOURSELF ! SHOW ME WHAT YOU GOT !A programme of shorts curated by Alee Peoples[With films by: Scott Stark, Mark Leckey, Michael Robinson, Mary Helena Clark, Marjorie Keller, Charles Atlas and Dara Birnbaum.]
THE 2nd Annual Event of IROMEDIA September 1-15, 2023 / TECH_FAC Museum 1st Opening: September 1, 2023 / From 5 p.m to 9:30 pm 2nd Opening: September 8, 2023 / From 5 p.m to 9:30 pm The 2nd Annual Event of #IROMEDIA will be held from 1 to 15 September of 2023 at TECH_FAC New Media Arts Museum in Tehran, by showing the video and video installation works of some important artists from Brazil, Argentina, Cuba, and Chile. Also, an interesting collection of 13 video arts from the Iranian new media artists will be on display in this event.
Dates:
Friday, September 1, 2023 (All day) to Friday, September 15, 2023 (All day)
The inaugural presentation of Studio Sound features Suzanne Ciani and Sarah Davachi—two composers of different generations working with innovative music technologies. As part of Studio Sound, Davachi will perform Music for a Bellowing Room live in MoMA's Kravis Studio. This new solo electronic work is a live, durational presentation with video by Dicky Bahto. The performance will be followed by a conversation between the artist and curator Martha Joseph at 4:00 p.m.
The call for submissions for the 2024 Wide Open Experimental Film Festival is now open. The entry fee is $10 if submitted by the Regular Deadline, October 15; $20 if submitted by the last deadline, November 5.
OPPOSITE FLOWAlthough 'method' in science and art is perceived as a necessary 'standardization' process, it is also a tool of domination. While this domination often manifests itself as an imposition by the 'first world' on the rest of the world, it can also take the form of the power-holder innocently inserting his or her 'tastes' and way of thinking between the lines.
