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Slow Film Festival 2019

By Peter Treherne on Wed, 25/09/2019 - 13:40

The Slow Film Festival's experimental programme explores duration and landscape at the margins of society. Held in the village of Mayfield, the festival acts as a retreat from the city. There will be an exhibition of Scott Barley's work, a special screening of Babette Mangolte's 'The Sky on Location', a programme of shorts and a curated series of features. There will be slow food in abundance and a Walking Cinema Seminar.

Dates:
Saturday, October 19, 2019 (All day) to Sunday, October 20, 2019 (All day)
Venue:
The Old Palace - Mayfield, United Kingdom
DIM Cinema: Groundwork

By Marcos Ortega on Fri, 06/07/2018 - 02:40

In equestrian culture, Groundwork is comprised of exercises that mature a horse’s response to its rider’s cues and the environment. This program of landscape films from the 1960s through 1980s similarly demonstrates structural and formal methods used by artists to finely tune their perception of natural phenomena. In The Sky on Location, French cinematographer Babette Mangolte focuses her camera on seasonal light and its variegation of the American West’s colour palette.
Dates:
Wednesday, July 18, 2018 - 19:30
Venue:
Pacific Cinémathèque - Vancouver , Canada
DIM Cinema: Studio

By Marcos Ortega on Tue, 19/09/2017 - 15:30

This month DIM Cinema arranges a series of studio visits, beginning with Jem Cohen’s short portrait of the sculptor Ann Truitt (1921-2004) and ending with the ceremonial liberation of Jay DeFeo’s painting The White Rose, weighing over 2,300 pounds, from her second-floor studio in San Francisco. In between, and in their respective studios, Sarah Pucill plays with the blinds, Bruce Nauman walks in an exaggerated manner, and Ken Jacobs goes psychological-psychedelic.
Dates:
Wednesday, September 27, 2017 - 19:30
Venue:
Pacific Cinémathèque - Vancouver , Canada
Sight Unseen presents Sound Matters - Works from Collectif Jeune Cinéma

By Anonymous on Thu, 13/11/2014 - 03:27

Sight Unseen is honored to have Filipe Afonso, Curator with Collectif Jeune Cinéma, to present a collection of works from CJC. Founded in 1971, Collectif Jeune Cinéma promotes experimental moving image work including the distribution of experimental cinema, regular monthly screenings and the yearly Different and Experimental Cinema Festival of Paris (FCDEP). CJC’s catalogue includes more than 1,300 films from more than 350 filmmakers.

The emotional, physical and aesthetic value of a sound is linked not only to the causal explanation we attribute to it but also to its own qualities of timbre and texture, to its own personal vibration. So just as directors and cinematographers (even those who will never make abstract films) have everything to gain by refining their knowledge of visual materials and textures, we can similarly benefit from disciplined attention to the inherent qualities of sounds. – Michel Chion, The Three Listening Modes, The Sound Studies Reader, 2012

Dates:
Friday, November 21, 2014 - 21:00 to Saturday, November 22, 2014 - 20:55
Venue:
The Red Room - Baltimore, United States
Xcèntric: The hieroglyphic of movement

By Marcos Ortega on Fri, 07/12/2012 - 08:36
Xcèntric: The hieroglyphic of movement
Museum's films: the Pompidou Collection
Sunday December 9, 2012, 18:30h
Xcèntric CCCB, Montalegre, 5, 08001 Barcelona

At the request of Xcèntric, this season the heads of film collections of the principal international art museums will present a selection, at once personal and representative, of their constituent works. We start this series with a programme from the collection of the Centre Georges Pompidou, put together and presented by Philippe-Alain Michaud, featuring seminal creators such as Duchamp, Kubelka and Conner.

- Danse serpentine (Luca Comerio, 1897, 30 s [35 mm transferred to video])
- [Eclosion rapide] (anonymous, silent, c. 1920, 16 mm, 5 min)
- Les vers marins (anonymous, 1912, 35 mm, 7 min)
- Anémic cinéma (Marcel Duchamp, 1925, 35 mm, 7 min)
- Adebar (Peter Kubelka, 1956, 35 mm, 2 min)
- Breakaway (Bruce Conner, 1966, 16 mm, 5 min)
- Andy Warhol’s Exploding Plastic Inevitable (Ronald Nameth, 1967, 16 mm, 14 min)
- Watermotor (Babette Mangolte, 1978, 16 mm, 8 min)
- Free Radicals (Len Lye, 1979, 16 mm, 4 min)
- Jewel (Hassan Khan, 2010, 6 min 30 s [35 mm transferred to video])
Category:
Events
A Critical Cinema: Interviews with Independent Filmmakers
Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.

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Category:
Books
Publisher:
University of California Press