Sedimental exists with the goal of releasing musical material by new, often yet unheard artists, composers and bands. We pride ourselves on releasing debut recordings by young, dynamic musicians. The artists have complete control over the musical content and artwork of their releases.
Sedimental is in its 20th low-profile year as an independent label. We release music made by artists devoted to their craft without concern to genre, profile, or visibility. We are in no rush.
Aberration of Light: Dark Chamber Disclosure is a site-specific live projection performance that was a highlight of this year’s festival (36th Toronto International Film Festival). In the projection booth, Brooklyn-based artists Sandra Gibson and Luís Recoder distilled a found 35mm commercial film print into rich, gorgeous beams of light that danced on the screen, the auditorium walls, and the faces of the rapt, dreamy spectators who filled the theater at the Ontario Gallery of Art. (The movie that was the basis for the work was never identified to the audience, and the artists have never watched it in its entirety.) The introductory movement of the piece is a marvel: tiny lines of white light that were movie credits in a past life shimmer onscreen like sunlight filtering through deep water. Occasionally a half-glimpsed face from the original film surfaces deep within the piece like a mirage in the desert; other moments resemble flashlights dancing through fog. The audio to the piece, created and mixed live in the theater by the Dallas-born contemporary composer Olivia Block, is at once organic and otherworldly. In addition to sounds produced digitally and musically, Block works with sounds she has collected from the world around her. Occasionally, these feel familiar: is that the sound of rushing water? Peeper frogs chirping on a summer night? The plaintive bleat of an alarm? The whir of an airplane about to take off? The pop of distant fireworks? Together, the visual and aural components of Aberration of Light are a symphony of lights and darks, quiets and louds, that are greater in concert then the sum of their parts.” (Livia Bloom, Filmmaker Magazine)