The experimentation of Malena Szlam, involving a process of documentation in situ, brings the observed landscape into the space of moving image. In-camera editing lets loose the first views of woods, stars, fire and night-time landscapes, reproducing them vibrantly, preventing us from becoming habituated and allowing them to remain. On the basis of a direct link with the image, Pablo Mazzolo constructs formal paradigms, in which the kinetic image and sound constitute a single perceptive unit. His films move around the space between reality, dream and intuitive vision, coming together in an associative, sensorial experience that is different each time. ENVÍOS, by Jeannette Muñoz, is cinema that ceases to be cinema, to become a space that shows us what it was, what it is and what it could be. ENVÍOS is only possible at the small and singular scale. It is sequences, events, stories, fragments, moments, seconds. It has no object or subject, its components are heterogeneous, from differing sources and the result of different motivations. It speaks at once of the private and the public, was made with/or for one person and will be presented in a film theatre.
