Edge of Frame and Close-Up are proud to present a two-part programme of films by highly acclaimed experimental animator Jodie Mack. Part one gathers a selection of shorts, illuminating formal and cursory elements shared between fine-art abstraction and mass-produced graphic design; whilst part two presents the UK premiere of her highly anticipated debut feature The Grand Bizarre. We’re thrilled that Jodie will be present throughout and will be in conversation following both screenings.
Combining the formal techniques and structures of abstract/absolute animation with those of cinematic genres, Jodie Mack’s handmade films use collage to explore the relationship between graphic cinema and storytelling, the tension between form and meaning. Musical documentary or stroboscopic archive: her films study domestic and recycled materials to illuminate the elements shared between fine-art abstraction and mass-produced graphic design. The works unleash the kinetic energy of overlooked and wasted objects and question the role of decoration in daily life.
December 8th, 18:30h
Programme 1: Posthaste Perennial Patterns
Questioning the role of decoration in daily life, these 16mm works unleash the kinetic energy of overlooked and wasted objects. Expanding upon notions of anti-animation set forth by experimental practitioners like Paul Sharits and Robert Breer, the studies in this programme apply formal principles of abstract cinema while pursuing an interest in found materials, evolving modes of production, and forms of labour.
- Posthaste Perennial Pattern, Jodie Mack, 2010, 3’38 min, Colour, 16mm
- Rad Plaid, Jodie Mack, 2010, 6 min, Colour, 16mm
- Point de Gaze, Jodie Mack, 2012, 4’30 min, Colour, 16mm
- Persian Pickles, Jodie Mack, 2012, 3 min, Colour, 16mm
- Blanket Statement #1: Home is Where the Heart is, Jodie Mack, 2012, 3 min, Colour, 16mm
- Blanket Statement #2: It’s All or Nothing, Jodie Mack, 2013, 5 min, Colour, 16mm
- Undertone Overture, Jodie Mack, 2013, 10’30 min, Colour, 16mm
- Razzle Dazzle, Jodie Mack, 2014 , 5 min, Colour, 16mm
December 8th, 20h
Programme 2: The Grand Bizarre
“Shot in a dozen countries, the film finds Mack’s trademark, color-coordinated textiles dancing across a variety of exotic locales (India, Mexico, Holland, Morocco, and Turkey represent just a partial itinerary) through a meticulous process of frame-by-frame photography and practical production magic […] Driven by a homemade soundtrack that locates a heretofore unrealized intersection between hip-hop, chiptune, and synth-pop, The Grand Bizarre tackles lofty themes at an intimate scale, imbuing familiar forms with a subtle but incisive sociopolitical force.”
- The Grand Bizarre, Jodie Mack, 2018, 60’30 min, Colour, Digital
Posthaste Perennial Patterns and The Grand Bizarre are two of three programmes curated by Edge of Frame for London International Animation Festival 2018, taking place at venues across London from 30 November to 9 December.
Edge of Frame aims to stimulate artistic discourse around experimental animation, focusing on work at the intersection of animation, experimental film and artists’ moving image. Beginning as a blog in 2013 and extending into screening events in 2016, it seeks to celebrate this incredibly rich and vibrant, yet often marginalised and hard to define art form. Edge of Frame is run by Edwin Rostron, a London-based artist, curator and tutor at the Royal College of Art.
Jodie Mack's 16mm films have screened at a variety of venues including the Ann Arbor Film Festival, Edinburgh International Film Festival, Images Festival, Projections at the New York Film Festival, and the Viennale. She has presented solo programs internationally at institutions including the 25FPS Festival, Anthology Film Archives, BFI London Film Festival, Harvard Film Archive, REDCAT, and the International Film Festival Rotterdam. Her work has been featured in publications like Artforum, CinemaScope, Senses of Cinema, and the New York Times. She currently works as an Associate Professor of Animation at Dartmouth College, where she co-organizes an experimental media series, EYEWASH. She is a 2017/18 Film Study Center Fellow and Roberta and David Logie Fellow at the Radcliffe Institute for Advanced Study at Harvard University.
More info: www.edgeofframe.co.uk