One of the traditional tasks of the film avant-garde is to show what cinema is capable of when it is released from literary stories, from narration: how to interweave seemingly unrelated pictures, how to convert outer and inner spaces into a synthetic, unOne of the traditional tasks of the film avant-garde is to show what cinema is capable of when it is released from literary stories, from narration: how to interweave seemingly unrelated pictures, how to convert outer and inner spaces into a synthetic, unrealistic third cinematic space. Linda Christanell´s works are a study of such a space. In the confrontation, in its layering, the material is subjected to an endurance test.
(Stefan Grissemann)

NS TRILOGIE - TEIL2 GEFÜHL KAZET 1997, 13:50 min
MOUVEMENT IN THE INSIDE OF MY LEFT HAND 1978, 6:26 min
FINGERFÄCHER 1975/82, 9:53 min
FOR YOU 1984, 8:08 min
ALL CAN BECOME A ROSE 1992, 7:15 min
PICTURE AGAIN 2002, 8:56 min
MOVING PICTURE 1995, 10:14 min
BONUSTRACK 1: CHANGE 1978, 1:07 min
BONUSTRACK 2: FEDERGESTECK 1984, 3:05 min