Catalogue

  • Introducing Tony Conrad: A Retrospective

    Throughout his six-decade career, Tony Conrad (1940–2016) forged a unique path through numerous artistic movements and a vast range of cultural forms—from Fluxus to rock music, from structural film to public access television. Published on the occasion of the first large-scale museum survey devoted to works Conrad presented in museum and gallery settings, this richly illustrated catalogue offers an in-depth introduction to Conrad's life and career.

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    39,80 EUR

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  • Colectivo Los Ingrávidos: SOLARES

    Part cinematic manifesto, part invoked sorcery, SOLARES serves as volcanic manifestation of what viewing, inhabiting, and reflecting images is in our existence. Meant to accompany their masterpiece The Sun Quartet, SOLARES stands as a beautiful testament to the power of poetry and its relationship to cinema and life

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    Average: 5 (1 vote)

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    10 CAD

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  • Germaine Dulac - Écrits sur le cinéma (1919-1937)

    Pionnière du cinéma, Germaine Dulac (1882-1942) est une des grandes figures de l'Avant-Garde française des Années 20. Personnalité importante, elle initiera et sera à la tête de nombreuses organisations et, parallèlement, mènera une activité inlassable pour la défense des droits des femmes. 

    Dans ses réalisations, Dulac expérimente les nouvelles possibilités d'expression du cinéma. Elle réalisera une vingtaine de films à partir de 1916. La Souriante Mme Beudet (1923) et La Coquille et le clergyman (1927), d'après Antonin Artaud, sont parmi ses films marquants. 

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    9,99 EUR

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  • Mythology for the Soul: The Collected Poems of Storm De Hirsch

    Storm De Hirsch began publishing poetry and art criticism in American little magazines in the 1950s. Her work arrived in the vacuum of American postwar poetry and with no clear affiliation. It was on the periphery of the east coast Beat movement, engaging punctuative declarations, onomatopoeia, chorus repetitions and sensual, ornithological and Cabalistic imagery. De Hirsch’s poems are shamanistic, bearing properties of the magic ritual and incantation, and her mysticism as well as her passions for new forms led her in the visionary direction of the New American Cinema.

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    20 USD

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  • Jeff Scher - Reasons to be Glad

    Jeff Scher is a painter who makes experimental films and an experimental filmmaker who paints. His work is in the permanent collection of the Museum of Modern Art and the Hirshhorn Museum, and has been screened at the Guggenheim Museum, the Pompidou Center in Paris, the San Francisco Museum of Modern Art, and at many film festivals around the world, including opening night at the New York Film Festival. Mr. Scher has also had two solo shows of his paintings, which have also been included in many group shows in New York galleries. Additionally, he has created commissioned work for HBO, HBO Family, PBS, the Sundance Channel and more. Mr. Scher teaches graduate courses at the School of Visual Arts and at NYU Tisch School of the Arts Kanbar Institute of Film & Television's Animation program. He lives in Brooklyn with his wife and two sons.

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    19,90 EUR

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  • Alfred Kaiser - Decomposing Nazi Phraseology

    In the second half of the 1970s Alfred Kaiser was entirely unknown to the film world when he went public with two films, namely A Third Reich (1975) and A Third Reich from Its Refuse (1977). Both compilation films bridge the threshold between avant-garde and documentary cinema and were enthusiastically received by audiences and film critics alike upon their release. To this day, these two closely related films occupy a place of particular significance in the history of Austrian cinema, not least due to their subject matter and compositional virtuosity.

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    28,80 EUR

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  • Lessons in Perception. The Avant-Garde Filmmaker as Practical Psychologist

    Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson.

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    85 GBP

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  • Experimental and Expanded Animation. New Perspectives and Practices

    This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live ‘making’ and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices.

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    79,99 GBP - hardcover
    63,99 GBP - ebook

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  • Conversations with Filmmakers. Movie Journal Columns 1961-1975

    Pioneer avant-garde filmmaker, poet and artist Jonas Mekas (born 1922) was the barometer of the New York art scene in the 1960s and ‘70s. His interviews with Andy Warhol, Stan Brakhage, Susan Sontag, John Cassavetes, Carolee Schneemann, Yvonne Rainer, Claes Oldenburg, Kenneth Anger and Michael Snow, among many other avant-garde artists and filmmakers for his weekly column in the Village Voice between 1958 and 1977, are gathered here for the first time in this substantial publication.

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    38 EUR

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  • Experiments In Cinema 13.6 DVD Collection

    Experiments In Cinema 13.6 DVD fundraising collection (8 DVDs) featuring all the films from the 2018 experimental film festival!

    EIC v13.6
    The Black Material Edition

    Disc 1

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    Average: 4.7 (3 votes)

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    50 USD - Personal Use
    145 USD - Institutions

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